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Review: Denzel WashingtonBԪַs star quality remains a good Equalizer

Movie star presence elevates part 3 to the best of this routine movie franchise
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ThereBԪַs an about considering Denzel Washington is right over here, walking around.

Antoine FuquaBԪַs a taut and textured sequel to WashingtonBԪַs vigilante series, isnBԪַt one of the actorBԪַs best films. It wouldnBԪַt crack his top 10. But it vividly encapsulates WashingtonBԪַs formidable on-screen potency.

You might think this would be in the movieBԪַs brutal action sequences, but no. ItBԪַs the scenes of Washington fastidiously having a cup of tea at a sidewalk cafe or strolling the streets of a Sicilian town. This is a movie stitched together less by its plot mechanics than the pleasure of watching Denzel smirk, scowl and smile, in leisurely scenes mixed in with all the murder.

In that way, the BԪַEqualizerBԪַ movies (the third of which is certainly the best of a so-so bunch), remind me of those great Walter Matthau thrillers like and BԪַ movies about old men with expressive eyebrows who are set in their ways but have plenty of tricks left up their sleeve. (Washington, now 68, also took over MatthauBԪַs role in the remake of )

ThereBԪַs no shortage these days of older stars plying their special sets of skills in action thrillers. Throw a stone in a movie theater and youBԪַre likely to hit (and risk drawing the lethal ire of) Liam Neeson, Harrison Ford or Tom Cruise. BԪַEqualizer 3,BԪַ an all-in-all good entry in the genre, is on the bloodier end of the spectrum.

Yet curiously neither the fight sequences (rapid and grotesque) nor the filmBԪַs sense of suspense (perfunctory) are much of a selling point. The film, scripted by Richard Wenk, opens with a trail of bodies through the main house of an Sicily vineyard. In the wine cellar calmly sits Robert McCall (Washington), who shrugs, BԪַWouldnBԪַt let me in, soBԪַBԪַ

BԪַThe EqualizerBԪַ is loosely based on an 1980s TV series about a former intelligence service agent who spends his retirement bringing the scales of justice back in balance for regular folks he happens to encounter. And thereBԪַs a pleasantly episodic quality to the third film in the series.

A bullet in the back leaves McCall laid up in recovery after heBԪַs taken in by a kindly village doctor named Enzo (Remo Girone). WeBԪַre in Southern Italy. Most of the film was shot along the Amalfi coast, specifically the enchanting medieval fishing village of Atrani.

If thereBԪַs one truly implausible thing about BԪַEqualizer 3,BԪַ itBԪַs the fact that there isnBԪַt a tourist in sight. McCall, who once out of bed strolls the villageBԪַs cobbled steps with a cane, seems to be the only American in town. HeBԪַs quickly charmed by the people who warmly welcome the BԪַAmericano.BԪַ

And the same time, the Camorra mafia is pushing harder into the village, with intentions of driving out locals to make room for hotels and casinos. They make a small army of designer-dressed, tattoo-covered thugs, and they descend on the village, unaware of the lurking elite vigilante quietly sipping tea across the street from their shakedowns or eating pasta at the next table.

The well-traveled Fuqua, who helmed both prior BԪַEqualizerBԪַ movies and first directed Washington in BԪַTraining Day,BԪַ is in his genre wheelhouse here. He trails McCall patiently and soaks up the local color, with a few touches of Christian imagery from the church above the town. ThereBԪַs a sinister, ominous sense of evil scourges BԪַ a heinous drug from Syria, sold by the mafia is funding terrorists cells BԪַ seeping into a society of BԪַgood people.BԪַ

The clear dichotomy of good and bad is cozy, and so, too, is WashingtonBԪַs savage, untroubled dispatching of the mafia ring. There are CIA officials in the mix, too, including Dakota FanningBԪַs desk clerk turned operative. But they are mostly following McCallBԪַs lead. He BԪַ Washington really BԪַ is in a league of his own, and BԪַEqualizer 3,BԪַ smartly, doesnBԪַt even try to suggest itBԪַs a close race. Not all are created equal, after all.

BԪַEqualizer 3,BԪַ a Sony Pictures release, is rated R by the Motion Picture Association for strong bloody violence and some language. Running time: 109 minutes. Three stars out of four.

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