Franz Kafka never realized how close he came to kickstarting a superhero franchise.
Ever since Gregor Samsa awoke in his bed to find himself transformed into a monstrous dung beetle in weBԪַve had spider-men, wasps, ant-men, crime-fighting ticks and mighty mantises BԪַ such a super swarm of insectoids that you might be tempted to reach for a fly swatter.
WeBԪַre now back to the beetle with the new DC Comics film which opens in theaters Thursday. But what distinguishes BԪַBlue BeetleBԪַ isnBԪַt its place in the bug brigade but the person doing the metamorphosizing.
Jaime Reyes (Xolo Maridueña) is the first Latino superhero in a leading role in a DC film. ItBԪַs not just token casting, either. BԪַBlue Beetle,BԪַ directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, is firmly rooted in the experience of the Reyes clan, a close-knit Mexican-American family scraping by in the shadow of the gleaming Miami-like fictional metropolis of Palmera City.
Jaime is their first college graduate BԪַ BԪַAnd last!BԪַ cheerfully chimes his sister, Milagro (the very funny, scene-stealing Belissa Escobedo). The parents, Alberto (Damián Alcázar) and Rocio (Elpidia Carrillo) are broke and on the cusp of losing their home to the encroaching, all-powerful Kord Industries. Also living with them are JaimeBԪַs grandmother (Adriana Barraza) and his truck-driving uncle (George Lopez, having a ball).
BԪַWe used to have the other side of the tracks,BԪַ says Milagro. BԪַNow they want that, too.BԪַ
Despite big post-college ambitions, Jaime is stuck cleaning hotel rooms with his sister. Given what his family has sacrificed for him, heBԪַs saddled with guilt. So after a chance encounter with Jenny Kord (the Brazilian actress Bruna Marquezine), niece of the companyBԪַs imperial chief executive Victoria (Susan Sarandon), Jaime jumps at the chance of a job opportunity.
He happens to turn up at Kord headquarters just as Jenny is fleeing with VictoriaBԪַs prized discovery: a blue metallic scarab from outer space called the Khaji da that sheBԪַs using to create an privatized robotic army. ItBԪַs admittedly quite a jump from the real estate business, but, well, interest rates are sky high.
Before you know it, Jaime, tasked with hiding the beetle by Jenny, is looking down at the thing when it sinks itself onto his face and quickly seeps into his body. GregorBԪַs initial response to changing into a beetle was simply to turn over (BԪַHow about if I sleep a little bit longer and forget all this nonsenseBԪַ), but Jaime is afforded no such chance. HeBԪַs immediately rocketed through the roof and into space.
In the broadly sketched but spirited BԪַBlue Beetle,BԪַ much of what follows is as youBԪַd expect. ThereBԪַs getting used to the new outfit (and the sentient being that communicates Venom-style within Jaime). A recent past to uncover. The inevitable climactic battle between two hunks of CGI.
But BԪַBlue Beetle,BԪַ the final entry in distinguishes itself in other ways. JaimeBԪַs family is continually along for the ride, making up his supporting cast when the big fight comes. (The grandmotherBԪַs younger days as a revolutionary emerge, comically.) Superheroes are ultimately empowerment fantasies, though theyBԪַve often got away from that. BԪַBlue BeetleBԪַ manages to come closer than most in evoking the thrill of the powerless suddenly handed cosmic strength.
Soto plays it fast and loose, mixing in a little lewdness (BԪַActivate bug fartBԪַ is a new addition to the often solemn DC universe) and shades of neon blue and purple along the way. BԪַBlue BeetleBԪַ doesnBԪַt have much originality going for itself and Maridueña doesnBԪַt make a significant impression. But the film crucially gets that superhero movies donBԪַt need to be self-serious to make a serious point.
BԪַBlue Beetle,BԪַ light, lively and sincere, is a tribute to the tenacity and indomitability of Mexican-American families that have clawed their way into an often inhospitable society. Family members, usually plot points of some animating trauma in superhero movies, are here a central part of the action. (Lopez gets countless cracks in, and most of them land.)
ItBԪַs a time of self-inquiry for the superhero movie after hints of a new downward trend (despite some notable exceptions like the blistering with its ). BԪַBlue Beetle,BԪַ which had at one point been destined to go straight to streaming, falls in the middle of this new uncertain terrain. After a string of disappointments, future DC installments will take the comic book franchise in new directions. So it remains to be seen if BԪַBlue BeetleBԪַ can be much more than a bug in the system amid larger industry shifts.
But IBԪַd wager there will be plenty of moviegoers BԪַ especially young Hispanic ones not accustomed to seeing reflections of themselves in Hollywood comic book spectacles BԪַ whoBԪַll grin all the way through the breezy BԪַBlue Beetle.BԪַ If even a low-stakes, fairly derivative superhero movie like this can charm thanks to its warm Hispanic perspective and winning supporting cast, thereBԪַs plenty of hope yet for the genre BԪַ bugs and all.
BԪַBlue Beetle,BԪַ a Warner Bros. release is rated PG-13 by the Motion Picture Association for sequences of action and violence, language, and some suggestive references. Running time: 127 minutes. Two and a half stars out of four.
READ ALSO: