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Movie Review: Disenchantment under the sea in live-action BԪַThe Little MermaidBԪַ

ItBԪַs not Rob MarshallBԪַs fault that DisneyBԪַs latest live-action retread doesnBԪַt really sing. BԪַThe Little Mermaid,BԪַ a somewhat drab undertaking with sparks of bioluminescence, suffers from the same fundamental issues that plagued BԪַThe Lion King,BԪַ BԪַAladdinBԪַ and BԪַBeauty and the Beast.

ItBԪַs not Rob MarshallBԪַs fault that DisneyBԪַs latest live-action retread doesnBԪַt really sing. BԪַThe Little Mermaid,BԪַ a somewhat drab undertaking with sparks of bioluminescence, suffers from the same fundamental issues that plagued BԪַThe Lion King,BԪַ BԪַAladdinBԪַ and BԪַBeauty and the Beast.BԪַ Halle Bailey might be a lovely presence and possesses a superb voice that is distinctly different from Jodi BensonBԪַs, but photorealistic fins, animals and environments do not make Disney fairy tales more enchanting on their own.

The essential problem is that the live-action films have prioritized nostalgia and familiarity over compelling visual storytelling. They try to recreate beats and shots from their animated predecessors, defiantly ignoring the possibility that certain musical sequences and choices were enchanting and vibrant because they were animated, not in spite of it.

There was, in the 1989 film, a sparkling awe to everything. The underwater castle. The mermaids. EricBԪַs ship. Even ArielBԪַs bright red hair. Combined with the wonderful songs and lyrics by Alan Menken and Howard Ashman, itBԪַs not hard to understand why it helped fuel a Disney Animation renaissance.

Anyone who has gone through the recent DisneyBԪַs live-action library would be right to approach BԪַThe Little MermaidBԪַ with caution. Still, thereBԪַs excitement as the camera takes us underwater to give us our first glimpse of the mermaids BԪַ even after a somewhat ominous quote from Hans Christian Anderson that begins the movie (BԪַBut a mermaid has no tears, and therefore she suffers much moreBԪַ). You canBԪַt help but be hopeful. But the first mermaid that comes into focus doesnBԪַt so much evoke wonder as it does a flashback of Ben StillerBԪַs merman in BԪַZoolander.BԪַ The technology is better, sure, but the result is about the same. Worse, as we spend more time with them, following ArielBԪַs multicultural sisters as they gather around their father King Triton (Javier Bardem), itBԪַs hard to shake a distinctly uncanny valley feeling. ItBԪַs like gazing in on roundtable of AI supermodels with fins.

For all its pizazz, everything about this BԪַLittle MermaidBԪַ is just more muted. MirandaBԪַs new songs are odd, too, and donBԪַt seem to fit. Prince EricBԪַs (Jonah Hauer-King) makes sense, maybe even ArielBԪַs in-her-head anthem after she gives her voice to Melissa McCarthyBԪַs Ursula, but did Scuttle really need a song, too?

Speaking of Scuttle, the cute cartoons that stood in for ArielBԪַs seagull, crab and fish friends have been replaced with horrifyingly accurate depictions of said animals. AwkwafinaBԪַs comedy charms can only go so far while looking like an actual seagull who might be after your chips at the beach. Close-ups of its beady blue eyes are unsettling, though it was probably a good call to go blue over gold, which looks a bit demonic even in the cartoon. Sometimes it seems as though the editor is trying to minimize the unpleasantness by quickly cutting away from Scuttle. Flounder (Jacob Tremblay, who also voiced Luca) doesnBԪַt have this problem as much, mainly because once they go out of the water heBԪַs essentially hidden under the surface. Daveed DiggBԪַs Sebastian gets off easy, looking the most pleasantly cartoonish. But then thereBԪַs that Jamaican accent that they decided to carry over (and this in a movie that adds a line about consent to BԪַKiss the GirlBԪַ).

Visibility is a problem for more than just Flounder, too. Sometimes BԪַThe Little MermaidBԪַsBԪַ underwater sequences just look too underwater. Things are cloudy and dull and hard to see, once again probably in the name of authenticity, but straining to see what Marshall and the scores of VFX teams have labored on for years is not a pleasant experience. This could be a projection issue BԪַ I wasnBԪַt in an especially high-tech theater with color enhancing upgrades. But that also means anyone without access to things like Dolby Vision around the world will have this issue, too. When Sebastian brings out the most colorful fish he can find for the BԪַUnder the SeaBԪַ number, you even start to empathize with Ariel a little bit. It is the exact opposite of the BԪַ Avatar: The Way of Water BԪַ experience.

BԪַThe Little Mermaid,BԪַ a Walt Disney Co. release in theaters Friday, is rated PG by the Motion Picture Association for BԪַaction/peril, some scary images.BԪַ Running time: 135 minutes. Two stars out of four.

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MPA Definition of PG: Parental guidance suggested.

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