Scarlett Johansson has had quite a bit of time to think about a BԪַ BԪַ movie. After all, sheBԪַs played the character in seven movies spanning 10 years.
Yet unlike many of her fellow Avengers who got grand introductions in movies and sequels bearing their names on the marquee, she built the enigmatic Natasha Romanoff as a sideline scene stealer beginning with her introduction in 2010BԪַs BԪַIron Man 2BԪַ through her exit in BԪַAvengers: Endgame.BԪַ
By the time her name was called for a coveted standalone, she knew that, above all, she wanted Black WidowBԪַs film to be unexpected. And as the first lead actor to serve as a producer on a Marvel film, she actually had a say.
The character, introduced in the comics in 1964, is inextricably tied to a Soviet-era spy aesthetic fitting of James Bond. But that seemed like the easy route.
BԪַI didnBԪַt want it to be an espionage film,BԪַ Johansson said. BԪַI think we avoided that.BԪַ
Instead, BԪַBlack WidowBԪַ helps peel back the layers on a hard-to-grasp character, with a little bit of an origin story, a little bit of a coda and the introduction of people outside of the Avengers who mean something to her. Johansson also personally recruited Australian indie director Cate Shortland, another unexpected and inspired choice, to helm.
Marvel veteran Eric Pearson had the task of writing the script and took advantage of the fact that the character seemed to change and become more emotionally vulnerable between BԪַCivil WarBԪַ and BԪַInfinity WarBԪַ/BԪַEndgame,BԪַ which is when BԪַBlack WidowBԪַ is set.
BԪַWeBԪַre looking at what happened there,BԪַ Pearson said. BԪַWhat happened when she went back and confronted her past that unlocked her heart and kind of opened her up to the world and eventually led her to make that all-time sacrifice at the end of BԪַEndgame.BԪַBԪַ
Part of that involved introducing a sort-of sister character in Yelena Belova, played as an adult by Florence Pugh, who also had the traumatic experience of being trained in the BԪַRed RoomBԪַ as a child.
BԪַFlorence is so vibrant and interesting to watch that you think, BԪַOKBԪַ thereBԪַs going to be life here,BԪַBԪַ Johansson said.
Despite not really knowing one another beforehand, they quickly connected on set, partly due to a natural chemistry between the two and partly due to the extreme nature of filming a big budget action thriller.
BԪַOur Day One was me throwing her against a cabinet and we both had our hands in each otherBԪַs armpits. And it was in that moment that I was like, BԪַOh, my God, I have a sweaty armpit. And Scarlett Johansson is touching me,BԪַBԪַ Pugh said. BԪַOnce that ice is broken, you know, best mates. Weird first day, though, to start with.BԪַ
It was a fittingly epic endeavor, shooting over 87 days in London, Norway, Budapest, Morocco and Atlanta, with showstopping fights, motorcycle stunts, car chases and even a skydiving sequence. For Pugh, who is more known for slightly less spectacle driven films like BԪַMidsommarBԪַ and BԪַLittle Women,BԪַ it was an eye-opening experience.
BԪַIt was just so impressive to see so many departments doing so many things. And you were completely involved into the process and the creating of it. And I just really appreciated how much you were expected to be there for the whole journey,BԪַ Pugh said. BԪַIt only made then waiting and watching the film a year later just even more exciting because youBԪַre like, BԪַOh, my God, that took so many days to shoot and there we are flying through the air on a bike.BԪַBԪַ
BԪַBlack WidowBԪַ has the distinction of being the first Marvel movie debuting day-and-date on a streaming platform, after being delayed over a year due to the pandemic. Like a handful of Disney releases over the past year, itBԪַll be available Friday in theaters globally and to rent on Disney+ for $30.
The film isnBԪַt just a tribute and a goodbye to a beloved character, though. It also kicks off BԪַPhase FourBԪַ of the Marvel Cinematic Universe after an unplanned two-year gap in Marvel theatrical releases following BԪַAvengers: EndgameBԪַ (and, technically, BԪַSpider-Man: Far From Home.BԪַ)
The stakes for big budget Marvel movies are always high, but BԪַBlack WidowBԪַ will also be a litmus test not just because of the unconventional release strategy, but also as a gauge for audience interest in the cinematic juggernaut going forward.
After the 23-film build to BԪַEndgame,BԪַ which currently holds the title of second-highest grossing film of all time after a re-release of BԪַAvatarBԪַ during the pandemic, Marvel is going into unchartered territory with new characters in films like BԪַShang-Chi and the Legend of the Ten Rings,BԪַ set for September, and BԪַEternalsBԪַ in November. But Marvel Studios president Kevin Feige isnBԪַt stressing much about that. This new phase, he said, is one of BԪַnew beginningsBԪַ moving forward.
BԪַWithin our movies, thereBԪַs this big shared experience that all the characters had with this, what we call the blip. Now, in real life, we all, as human beings on earth, have had the shared experience of this pandemic, of this lockdown. So there is an interesting parallel that weBԪַre that we were playing on in our stories,BԪַ he said. BԪַItBԪַs been two years since weBԪַve had a film in theaters and we are ready. I hope the fans are ready.BԪַ
BԪַLindsey Bahr, The Associated Press