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All in the Family producer Norman Lear dead at 101

TV showrunner and liberal activist responsible for series of groundbreaking TV shows
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FILE - Writer Norman Lear, 97, participates in Jane FondaBԪַs Fire Drill Fridays rally, calling for action to address climate change at Los Angeles City Hall Friday, Feb. 7, 2020. Lear, the writer, director and producer who revolutionized prime time television with such topical hits as BԪַAll in the FamilyBԪַ and BԪַMaudeBԪַ and propelled political and social turmoil into the once-insulated world of sitcoms, has died, Tuesday, Dec. 5, 2023.. He was 101. (AP Photo/Damian Dovarganes, File)

Norman Lear, the writer, director and producer who revolutionized prime time television with BԪַAll in the FamilyBԪַ and BԪַMaude,BԪַ propelling political and social turmoil into the once-insulated world of sitcoms, has died. He was 101.

Lear died Tuesday night in his sleep, surrounded by family at his home in Los Angeles, said Lara Bergthold, a spokesperson for his family.

A liberal activist, Lear fashioned bold and controversial comedies that were embraced by viewers who had to watch the evening news to find out what was going on in the world. His shows helped define prime time comedy in the 1970s, launched the careers of Rob Reiner and Valerie Bertinelli and made middle-aged superstars of Carroll OBԪַConnor, Bea Arthur and Redd Foxx.

BԪַAll in the FamilyBԪַ was immersed in the headlines of the day, while also drawing upon LearBԪַs childhood memories of his tempestuous father. Racism, feminism, and the Vietnam War were flashpoints as blue collar conservative Archie Bunker, played by OBԪַConnor, clashed with liberal son-in-law Mike Stivic (Reiner). Jean Stapleton co-starred as ArchieBԪַs befuddled but good-hearted wife, Edith, and Sally Struthers played the BunkersBԪַ daughter, Gloria, who defended her husband in arguments with Archie.

LearBԪַs work transformed television at a time when old-fashioned programs as BԪַHereBԪַs Lucy,BԪַ BԪַIronsideBԪַ and BԪַGunsmokeBԪַ still dominated. CBS, LearBԪַs primary network, would soon enact its BԪַrural purgeBԪַ and cancel such standbys as BԪַThe Beverly HillbilliesBԪַ and BԪַGreen Acres.BԪַ The groundbreaking sitcom BԪַThe Mary Tyler Moore Show,BԪַ about a single career woman in Minneapolis, debuted on CBS in Sept. 1970, just months before BԪַAll in the FamilyBԪַ started.

But ABC passed on BԪַAll in the FamilyBԪַ twice and CBS was initially reluctant to take on the daring series, Lear would say. When the network finally aired BԪַAll in the Family,BԪַ it began with a disclaimer: BԪַThe program you are about to see is BԪַAll in the Family.BԪַ It seeks to throw a humorous spotlight on our frailties, prejudices, and concerns. By making them a source of laughter we hope to show, in a mature fashion, just how absurd they are.BԪַ

By the end of 1971, BԪַAll In the FamilyBԪַ was No. 1 in the ratings and Archie Bunker was a pop culture fixture, with President Richard Nixon among his fans. Some of his putdowns became catchphrases. He called his son-in-law BԪַMeatheadBԪַ and his wife BԪַDingbat,BԪַ and would also snap at anyone who dared occupy his faded orange-yellow wing chair. It was the centerpiece of the Bunkers rowhouse in the New York City borough of Queens and eventually an artifact in the SmithsonianBԪַs National Museum of American History.

Even the showBԪַs opening segment was innovative: Instead of an off-screen theme song, Archie and Edith are seated at the piano in their living room, belting out a nostalgic number, BԪַThose Were the Days,BԪַ with Edith screeching off-key and Archie crooning such lines BԪַDidnBԪַt need no welfare stateBԪַ and BԪַGirls were girls and men were men.BԪַ

BԪַAll in the Family,BԪַ based on the British sitcom, BԪַTil Death Us Do Part,BԪַ was the No. 1-rated series for an unprecedented five years in a row and earned four Emmy Awards as best comedy series, finally eclipsed by five-time winner BԪַFrasierBԪַ in 1998.

Hits continued for Lear and then-partner Bud Yorkin, including BԪַMaudeBԪַ and BԪַThe Jeffersons,BԪַ both spinoffs from BԪַAll in the FamilyBԪַ and both the same winning combination of one-liners and social conflict. In a 1972 two-part episode of BԪַMaude,BԪַ the title character (played by Arthur) became the first on television to have an abortion, drawing a surge of protests along with the showBԪַs high ratings. Nixon himself objected to an BԪַAll in the FamilyBԪַ episode about a close friend of ArchieBԪַs who turns out to be gay, privately fuming to White House aides that the show BԪַglorifiedBԪַ same-sex relationships.

BԪַControversy suggests people are thinking about something. But thereBԪַd better be laughing first and foremost or itBԪַs a dog,BԪַ Lear said in a 1994 interview with The Associated Press.

Lear and Yorkin also created BԪַGood Times,BԪַ about a working class Black family in Chicago; BԪַSanford & Son,BԪַ a showcase for Foxx as junkyard dealer Fred Sanford; and BԪַOne Day at a Time,BԪַ starring Bonnie Franklin as a single mother and Bertinelli and Mackenzie Phillips as her daughters. In the 1974-75 season, Lear and Yorkin produced five of the top 10 shows.

The late Paddy Chayefsky, a leading writer of televisionBԪַs early BԪַgolden age,BԪַ once said that Lear BԪַtook television away from dopey wives and dumb fathers, from the pimps, hookers, hustlers, private eyes, junkies, cowboys and rustlers that constituted television chaos, and in their place he put the American people.BԪַ

LearBԪַs business success enabled him to express his ardent political beliefs beyond the small screen. In 2000, he and a partner bought a copy of the Declaration of Independence for $8.14 million and sent it on a cross-country tour.

He was an active donor to Democratic candidates and founded the nonprofit liberal advocacy group People for the American Way in 1980, he said, because people such as evangelists Jerry Falwell and Pat Robertson were BԪַabusing religion.BԪַ

BԪַI started to say, This is not my America. You donBԪַt mix politics and religion this way,BԪַ Lear said in a 1992 interview with Commonweal magazine.

The nonprofitBԪַs president, Svante Myrick, said BԪַwe are heartbrokenBԪַ by LearBԪַs death. BԪַWe extend our deepest sympathies to NormanBԪַs wife Lyn and their entire family, and to the many people whoBԪַ, like us,BԪַ loved Norman.BԪַ

With this wry smile and impish boat hat, the youthful Lear created television well into his 90s, rebooting BԪַOne Day at a TimeBԪַ for Netflix in 2017 and exploring income inequality for the documentary series BԪַAmerica DividedBԪַ in 2016. Documentarians featured him in 2016BԪַs BԪַNorman Lear: Just Another Version of You,BԪַ and 2017BԪַs BԪַIf YouBԪַre Not in the Obit, Eat Breakfast,BԪַ a look at active nonagenarians such as Lear and Rob ReinerBԪַs father, Carl Reiner.

In 1984, he was lauded as the BԪַinnovative writer who brought realism to televisionBԪַ when he became one of the first seven people inducted into the National Academy of Television Arts and SciencesBԪַ Hall of Fame. He later received a National Medal of Arts and was honored at the Kennedy Center. In 2020, he won an Emmy as executive producer of BԪַLive In Front of a Studio Audience: BԪַAll In the FamilyBԪַ and BԪַGood TimesBԪַ.BԪַBԪַ

Lear beat the tough TV odds to an astounding degree: At least one of his shows placed in prime-timeBԪַs top 10 for 11 consecutive years (1971-82). But Lear had flops as well.

Shows including BԪַHot L Baltimore,BԪַ BԪַPalmerstownBԪַ and BԪַa.k.a. Pablo,BԪַ a rare Hispanic series, drew critical favor but couldnBԪַt find an audience; others, such as BԪַAll That GlittersBԪַ and BԪַThe Nancy Walker Show,BԪַ earned neither. He also faced resistance from cast members, including BԪַGood TimesBԪַ stars John Amos and Esther Rolle, who often objected to the scripts as racially insensitive, and endured a mid-season walkout by Foxx, who missed eight episodes in 1973-74 because of a contract dispute.

In the 1990s, the comedy BԪַ704 Hauser,BԪַ which returned to the Bunker house with a new family, and the political satire BԪַThe Powers that BeBԪַ were both short-lived.

LearBԪַs business moves, meanwhile, were almost consistently fruitful.

Lear started T.A.T. Communications in 1974 to be BԪַsole creative captain of his ship,BԪַ his former business partner Jerry Perenchio told the Los Angeles Times in 1990. The company became a major TV producer with shows including BԪַOne Day at a TimeBԪַ and the soap-opera spoof BԪַMary Hartman Mary Hartman,BԪַ which Lear distributed himself after it was rejected by the networks.

In 1982, Lear and Perenchio bought Avco-Embassy Pictures and formed Embassy Communications as T.A.T.BԪַs successor, becoming successfully involved in movies, home video, pay TV and cable ownership. In 1985, Lear and Perenchio sold Embassy to Coca-Cola for $485 million. They had sold their cable holdings the year before, reportedly for a hefty profit.

By 1986, Lear was on Forbes magazineBԪַs list of the 400 richest people in America, with an estimated net worth of $225 million. He didnBԪַt make the cut the next year after a $112 million divorce settlement for his second wife, Frances. They had been married 29 years and had two daughters.

He married his third wife, psychologist Lyn Davis, in 1987 and the couple had three children. (Frances Lear, who went on to found the now-defunct LearBԪַs magazine with her settlement, died in 1996 at age 73.)

Lear was born in New Haven, Conn. on July 27, 1922, to Herman Lear, a securities broker who served time in prison for selling fake bonds, and Jeanette, a homemaker who helped inspire Edith Bunker. Norman Lear would remember family life as a kind of sitcom, full of quirks and grudges, BԪַa group of people living at the ends of their nerves and the tops of their lungs,BԪַ he explained during a 2004 appearance at the John F. Kennedy Presidential LIbrary in Boston.

His political activism had deep roots. In a 1984 interview with The New York Times, Lear recalled how, at age 10, he would mail letters for his Russian immigrant grandfather, Shia Seicol, which began BԪַMy dearest darling Mr. President,BԪַ to Franklin D. Roosevelt. Sometimes a reply came.

BԪַThat my grandfather mattered made me feel every citizen mattered,BԪַ said Lear, who at 15 was sending his own messages to Congress via Western Union.

He dropped out of Emerson College 1942 to enlist in the Air Force, was awarded a Decorated Air Medal, and then worked in public relations.

Lear began writing in the early 1950s on shows including BԪַThe Colgate Comedy HourBԪַ and working for such comedians as Martha Raye and George Gobel. In 1959, he and Yorkin founded Tandem Productions, which produced films including BԪַCome Blow Your Horn,BԪַ BԪַStart the Revolution Without MeBԪַ and BԪַDivorce American Style.BԪַ Lear also directed the 1971 satire BԪַCold Turkey,BԪַ starring Dick Van Dyke about a small town that takes on a tobacco companyBԪַs offer of $25 million to quit smoking for 30 days.

In his later years, Lear joined with Warren Buffett and James E. Burke to establish The Business Enterprise Trust, honoring businesses that take a long-term view of their effect on the country. He also founded the Norman Lear Center at the University of Southern CaliforniaBԪַs Annenberg School for Communication, exploring entertainment, commerce and society. In 2014, he published the memoir BԪַEven This I Get to Experience.BԪַ

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