In the past year, Tim Hortons has treated cottaging Canadians to a boat drivethru, revived its beloved Dutchie doughnut and launched flatbread pizzas.
But perhaps its biggest surprise will come this summer, on the heels of its 60th anniversary on May 17, when it enters a realm so unexpected for a fast-food giant that even its executives expect some peopleBԪַs first reactions to be, BԪַWhat?!BԪַ
The head-scratcher will come in the form of BԪַThe Last Timbit,BԪַ a musical for which Tim Hortons has assembled a whoBԪַs who of Canadian artists to stage at the Elgin Theatre in Toronto this June.
The production is loosely based on a 2010 snowstorm that was so bad, drivers on a highway east of Sarnia, Ont., were forced to hunker down in cars and others had to wait out the inclement weather at a local Tim Hortons.
Turning the story into a theatrical production was the brainchild of marketing firm Gut.
Tims was determined to give Gut as much room to be creative as possible, so it didnBԪַt even specify the firm had to come up with an event. All the chain said was to find BԪַsomething with heartBԪַ and that would reflect the relationship the fast-food eatery has with its customers, recalled the chainBԪַs chief marketing officer Hope Bagozzi.
When she was pitched on a play, even she was surprised.
BԪַWhat on earth would we know about pulling something like this together BԪַ in a really highly professional way,BԪַ she said was her reaction.
BԪַOur agency, thatBԪַs not their specialty. ItBԪַs certainly not ours.BԪַ
Despite it being new territory and Tims having to wrangle talent well outside its comfort zone, she felt BԪַcautiously optimisticBԪַ about the idea.
BԪַItBԪַs a little wacky but certainty it felt grand (and) of the kind of ambition we had,BԪַ she said.
So Bagozzi and her staff set about making it happen.
Among their first calls was Michael Rubinoff, a Toronto lawyer and theatre producer who turned the story of passengers on planes diverted to Gander, Nfld. after the 9/11 attacks in New York into hit musical BԪַCome From Away.BԪַ
BԪַWe didnBԪַt imagine that he would actually come on board. We just thought we would try to pick his brain on, BԪַAre we crazy? Should we do this? How would we go about it?BԪַBԪַ Bagozzi recalled.
Rubinoff wasnBԪַt fazedby the unlikely caller. Though many would assume he was shocked to hear a fast-food brand wanted to jump into theatre, he didnBԪַt find it unusual because BԪַTims has been part of Broadway for many years.BԪַ
BԪַThe Tims logo is on one of the backdrops in BԪַThe Book of MormonBԪַ that people donBԪַt realize and of course, in the musical IBԪַm involved in, BԪַCome From Away,BԪַ Tims plays a really important part,BԪַ Rubinoff said.
BԪַAfter the opening number, the first line is BԪַI start my day at Tim HortonsBԪַ and we have a scene in the Tim Hortons and we come back to it, so Tim Hortons in musical theatre didnBԪַt seem as outlandish to me as it might have to other people.BԪַ
Alongside Rubinoff, other talent started flowing in.
Nick Green, the playwright behind BԪַCasey and Diana,BԪַ wrote the script and Anika and Britta Johnson of BԪַLife AfterBԪַ created the music and lyrics, which include a song called BԪַWhat would you do for a Timbit?BԪַ
The cast features Stratford and Shaw festival regulars Andrew Broderick, DeAnn deGruijter and Danté Prince, as well as Broadway stars Chilina Kennedy, Sara Farb, Jake Epstein and Kimberly-Ann Truong. Kaya Kanashiro from TV show BԪַSort OfBԪַ also has a role.
Most were surprised Tims, which is spending the year focused on expanding its afternoon and evening sales, was behind the play. Once they saw the calibre of theatrical talent on board, they realized BԪַthis is going to be something that theyBԪַre excited to attach themselves to,BԪַ Rubinoff said.
The production comes as arts organizations have struggled to retain corporate funding. Last summer, Bell stopped funding the Toronto International Film Festival after 28 years of sponsorship. In March, the Bank of Nova Scotia ditched its title sponsorship of the Contact Photography Festival in Toronto.
Hot Docs, CanadaBԪַs largest documentary film festival, has also warned its future is in jeopardy.
Such struggles have not been lost on Rubinoff, who called BԪַThe Last TimbitBԪַ a BԪַmajor investment.BԪַ
BԪַWe only get better and we only strengthen those skills when we have the opportunities to actually do the thing, and this is the opportunity to do the thing,BԪַ he said.
HeBԪַs approaching the project with the same seriousness as he does any other theatrical production. ThereBԪַs been months of perfecting the script and table reads and soon, rehearsals will begin.
The music has already become an earworm.
BԪַThese songs have been on loop. I am telling you I canBԪַt sleep without hearing the songs,BԪַ he said. BԪַI wake up hearing the song, so I know that itBԪַs a great sign.BԪַ
While he doesnBԪַt want to give away too many hints about the tunes or the playBԪַs plot, he said at the core of the storyline is a mother and daughter impacted by the storm. (The last Timbit they will vie for is a birthday one.)
And though the play is meant to mix humour and heart, he said, BԪַnobody will dress up and dance like a Timbit, but I donBԪַt want to say no to anything.BԪַ
That includes touring with the production, which will premiere in front of Tims franchisees visiting Toronto and then continue with five shows for the public. Tickets go on sale Friday.
Those who snag seats will be able to buy Tims-centric merchandise from Roots Corp., which doubles as the playBԪַs wardrobe partner, and will likely find a concession stand of Tims favourites, including Timbits, Bagozzi said.
BԪַThose wonBԪַt dance away,BԪַ Rubinoff chimed in. BԪַYou can enjoy them.BԪַ
READ ALSO: Tim Hortons unveils 3 more retro treats for its 60th anniversary