Dancer-turned-actress Neve Campbell says she hopes her documentary about the National Ballet of Canada sheds light on some of the uglier aspects of the dance world that demand change.
Campbell says itBԪַs one of the reasons she agreed to produce the film BԪַSwan Song,BԪַ which traces the companyBԪַs 2022 production of BԪַSwan LakeBԪַ as envisioned by principal dancer-turned-artistic director Karen Kain.
Directed by Chelsea McMullan, the feature includes interviews with young dancers who address the mental health struggles, racism, classism and rivalries that dog the profession. It opens Friday after premiering at the Toronto International Film Festival.
The film centres on Kain as she recounts a glittering international career that includes a celebrated partnership with Russian superstar Rudolf Nureyev and culminates with her vision for a more modern take on the quintessential romantic crowd-pleaser, BԪַSwan Lake.BԪַ
Cameras follow Kain as the National Ballet of Canada attempts to rebound from a pandemic-induced shutdown with a renewed commitment to boost diversity among its ranks and audience.
Campbell acknowledges similar efforts underway in other companies, and says she hopes the film can further challenging conversations in a field that historically rewards tradition, conformity and compliance.
BԪַIt is addressing the racism that has existed in the ballet world, the need for diversity, the need for change in dance and that any art form needs to shift and grow,BԪַ said Campbell, who trained with CanadaBԪַs National Ballet School before starring in TVBԪַs BԪַParty of FiveBԪַ and the BԪַScreamBԪַ film franchise.
BԪַWhat I love about this story is that you see dancers who are doing really well, you see dancers who are struggling and see people doing better than them BԪַ the competitive element of that, what that does to you spiritually, emotionally, what you have to overcome, whether you want to continue doing it because you love the art form. That, I related to a lot.BԪַ
Kain, too, opens up about mental health difficulties in her own career, which rocketed after she joined the corps in 1969 BԪַ she was promoted to principal dancer in 1971 and soon gained international fame.
During a round of TIFF interviews alongside Campbell, Kain described herself as BԪַluckyBԪַ and someone whoBԪַs benefited from supporters who went BԪַout of their way to create opportunitiesBԪַ for her. BԪַThe National Ballet just let me fly.BԪַ
But success did not come without a cost.
BԪַItBԪַs not like IBԪַve just sailed through life,BԪַ Kain added.
BԪַEven getting so well known so young was very challenging for me because it made a lot of people around me who I thought were my friends be, kind of, not so friendly to me. And that was hurtful to me.BԪַ
Dancers showcased in the documentary include BԪַSwan LakeBԪַ lead Jurgita Dronina, who conceals a debilitating injury; corps member Shaelynn Estrada, who recounts cleaning dance studios as a kid to help cover the cost of classes; and corps member Tene Ward, a dancer of Sri Lankan, African-American and Cherokee Indian descent who speaks about grappling with impostor syndrome.
Of course, itBԪַs not all trials and tribulations.
Kain and the dancers also speak of passion and love for their chosen career, and the sacrifices theyBԪַre willing to make for their art. Campbell, who portrayed a dancer in the 2003 feature BԪַThe Company,BԪַ credited her childhood ballet training with inspiring her later success as an actress.
BԪַStorytelling is magical. And IBԪַm glad I found another way to do it. I was never going to get to a place where Karen was in the company,BԪַ said Campbell.
BԪַDancers are amazing athletes, amazing artists and IBԪַm glad the world is witnessing that more.
BԪַWhen I made the film that I did 20 years ago, there was not a lot of awareness around dance. But I think because of a lot of these reality shows and competitions now on television and documentaries being made weBԪַre really getting a greater understanding and appreciation of the dance world.BԪַ
BԪַSwan SongBԪַ opens theatrically in Toronto on Friday before rolling out to other cities. Dates include Wolfville, N.S., on Oct. 11; Sudbury, Ont., on Oct. 12; the Ontario cities of Kingston and London on Oct. 13; Ottawa on Oct. 16; Vancouver, Victoria and Saskatoon on Oct. 20; and Amherst, N.S., on Oct. 26, with more markets possibly added.
BԪַSwan SongBԪַ also airs as a four-part hour-long series on CBC and CBC Gem, starting Nov. 22.
ItBԪַs one of several CBC projects that expand on recent feature film releases, among them the film BԪַBones of Crows,BԪַ which premiered as a five-part drama Sept. 20, and the film BԪַBlackBerry,BԪַ which debuts as a three-part hour-long series Nov. 9.
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