You could say Joe Cristalli tweeted his role as an executive producer and co-showrunner on the new BԪַ BԪַ sitcom into existence.
About 10 years ago as a fledgling TV writer and BԪַFrasierBԪַ super fan, Cristalli started a Twitter account with BԪַrandom jokesBԪַ about the show and character in the sitcoms BԪַCheersBԪַ and BԪַFrasier.BԪַ
BԪַIt was stupid and nobody cared about it. I think I had maybe 3,000 followers at its height,BԪַ he recalled in a recent interview.
At this point, BԪַFrasierBԪַ had been off the air for 10 years, but Cristalli used it as BԪַan outlet to practice writing because I was such a super fan and I just loved the style of joke-telling, so I would work on it.BԪַ
A few years later, Cristalli read that Grammer was interested in reviving the character. He had his agent send a sample script and examples from his BԪַFrasierBԪַ-centric Twitter feed to GrammerBԪַs team. He was eventually hired alongside BԪַHow I Met Your MotherBԪַ writer Chris Harris to be co-showrunners of a new BԪַFrasierBԪַ series, debuting Oct. 12 on Paramount+.
This BԪַFrasierBԪַ stars Grammer in the title role of the high-brow psychiatrist, as he moves back to Boston. His son Freddy is now grown, working as a firefighter, and Frasier realizes he needs to prioritize their relationship (much in the way the character set out to connect with his retired police officer father, played by John Mahoney, in the original). He also begins a new career as a professor at Harvard.
Writing for the character is a fun challenge, said Harris, because BԪַwhen you think of Frasier Crane speaking, you think of flowery language.BԪַ Because of time constraints, every line canBԪַt be in Frasier-speak. BԪַWe save those moments for certain times,BԪַ said Harris.
They also reference the original series sparingly and smartly BԪַ which is an act of restraint that Cristalli said Harris helped him to understand.
BԪַI put in a very specific reference to something in (BԪַFrasierBԪַ) season four, and I remember Chris very gently saying, BԪַDo you think maybe we should do jokes that everyone will laugh at?BԪַBԪַ
BԪַThere are analogies and callbacks to the old show, but we try not to do any of them shamelessly,BԪַ Cristalli said. BԪַWeBԪַre not going to just throw a recliner or a Jack Russell in, like weBԪַre trying to do them subtly and elegantly. So if you catch them, great, but weBԪַre not hanging everything on those jokes. I love (the references) BԪַ but Chris makes a very good point. We want other people to like this show besides me.BԪַ
The show is a throwback in that itBԪַs a multi-cam comedy taped in front of a live audience. Most comedies these days are single-cam and filmed without an audience.
Harris hopes the show is a success and provides a much-needed boost for the multi-cam format.
BԪַI will say that nothing feels as much like showbiz as a tape night,BԪַ said Harris. BԪַThereBԪַs a working-without-a-net kind of feeling and you really are putting all your work and all your creativity out there for people to judge. You donBԪַt know something works until you get that immediate response, but that immediate response is awesome.BԪַ
(BԪַTaxi,BԪַ BԪַFriends,BԪַ BԪַWill & GraceBԪַ), who worked with Grammer on both BԪַCheersBԪַ and BԪַFrasier,BԪַ signed on to direct two episodes.
BԪַItBԪַs such a comfort because he didnBԪַt have to do the show,BԪַ said Cristalli. BԪַHe didnBԪַt have to help out. But he read the scripts, he was in the auditioning process, he was pitching jokes and genuinely laughing and enjoying himself. It just made everybody more relaxed because itBԪַs a lot of pressure to bring back something this iconic.BԪַ
Burrows shared his advice to the new actors on BԪַFrasierBԪַ (including Jack Cutmore-Scott as Freddy and Anders Keith as David, FrasierBԪַs nephew and the son of Niles and Daphne).
BԪַWhat I tell them is, BԪַWhen we rehearse, Kelsey is at 50%. When heBԪַs in front of an audience, heBԪַs at 100% and you better be on that level otherwise youBԪַll get blown away.BԪַ ThatBԪַs what I used to tell guest stars on BԪַCheers.BԪַ BԪַ BԪַTheyBԪַre marking time in rehearsal. When they get on a stage and the laughter comes, if you donBԪַt play up on their level, youBԪַre going to disappear.BԪַBԪַ
Cristalli said Grammer slowly morphs into the character.
BԪַIn the first rehearsal day, heBԪַll be in like, a T-shirt and shorts and itBԪַs like, BԪַHold on. ThatBԪַs not. WhoBԪַs that? ThatBԪַs not Frasier.BԪַ The next day heBԪַs got, you know, longer pants and the next day itBԪַs a blazer. and then all of a sudden itBԪַs like, BԪַOh, wait a second, I see him now,BԪַBԪַ Cristalli said. BԪַThereBԪַs a very clear distinction between Frasier and Kelsey Grammer, but he slips into those shoes real comfortably and itBԪַs very seamless.BԪַ
For the showBԪַs theme, composers and father-son duo Bruce and Jason Miller were brought in to update the original BԪַTossed Salads & Scrambled EggsBԪַ song. Bruce Miller composed the original BԪַFrasierBԪַ theme. Grammer also sings this version.
The composers first did a BԪַhipperBԪַ version BԪַthat had movement to it, and energy,BԪַ Bruce Miller said. Grammer listened and suggested the sound reflect how the character is older now, and looking for calmness at this stage in his life. They went back and used a small band, which is the version that viewers will hear.
This BԪַFrasierBԪַ also has a bar, but itBԪַs not THE Its name, MahoneyBԪַs, is a tribute to John Mahoney, who died in 2018. Just as the Martin character was different than his sons, this set captures that juxtaposition. ItBԪַs conceived as a place where both firefighters and academics gather.
BԪַItBԪַs an older bar, something you would find near Cambridge,BԪַ said set director Glenda Rovello.
BԪַThereBԪַs a sweet line where Frasier is in MahoneyBԪַs and remarks, BԪַI may have spent too much time in a particular bar,BԪַ which I made sure the boys kept because it was a wonderful tribute,BԪַ Burrows said.