Heather Lindsay likes to refer to UNO Fest as the B次元官网网址渧oice of the now,B次元官网网址� for the way it allows contemporary theatre artists a chance to reflect publicly on what is happening today in their lives and society in general.
The Intrepid Theatre executive director hand selected all of the 17 shows scheduled for the 21st annual festival, May 9 to 19. While artists submit applications to have their shows included in the lineup, Lindsay also travels the country looking for jewels that might otherwise escape notice on the West Coast.
Intrepid has long held a torch for the underserved voice in Canadian theatre, she says, which naturally has dovetailed into one of the central themes for this yearB次元官网网址檚 UNO Fest.
B次元官网网址淭hereB次元官网网址檚 just incredible work in terms of Indigenous women coming out of the theatre scene in Canada,B次元官网网址� Lindsay says. B次元官网网址淭hese amazing women are demanding to be heard; if thatB次元官网网址檚 something Intrepid can jump on board with weB次元官网网址檙e happy to do that.B次元官网网址�
UNO Fest has its first ever guest Indigenous curator in Yolanda Bonnell, who worked with Lindsay to bring more of an aboriginal voice to the festival and is overseeing a youth Indigenous storytelling workshop, another first. To expand the process, Bonnell will open her festival entry, Bug, with vignettes created by the youth.
Three other entries have distinctly Indigenous perspectives: The Only Good Indian (Pandemic Theatre), which explores the historical use of the I-word; White ManB次元官网网址檚 Indian (WMI Collective), about what happens when one with mixed blood doesnB次元官网网址檛 appear as aboriginal, and The Chemical Valley Project (Broadleaf Theatre), which retells the story of an Indigenous-led environmental protest.
Taking advantage of the fact contemporary theatre is a good outlet to spark discussion, some shows conclude with an audience participation session.
B次元官网网址淭hese artists are taking creative risks to enlighten audiences with the power of story and invention,B次元官网网址� Lindsay says.
Britt Small, co-founder of VictoriaB次元官网网址檚 Atomic Vaudeville and an iconic figure locally in the development and guidance of theatre projects, is looking forward to an opportunity to explore her own voice in her one performance at UNO Fest. Bonhomme: A Male Renaissance in 32 Acts, is essentially a three-year work in progress that examines male archetypes, specifically the men in her own life growing up who were physically or emotionally absent.
B次元官网网址淚t made me wonder what happened to men from this generation, where at the same time women were going through revolution and keep going through revolution,B次元官网网址� she says.
ItB次元官网网址檚 not all serious subject matter at UNO Fest, though.
Sarah Hagen, a concert pianist who has played Carnegie Hall but experienced somewhat of a career crisis back in 2016, pokes fun at herself in Perk Up, Pianist!, a show she cleverly labels B次元官网网址渟it-down comedyB次元官网网址� B次元官网网址� her playing is an integral part of the act.
B次元官网网址淚 think IB次元官网网址檝e always kind of wanted to do it,B次元官网网址� says Hagen, whose hometown is Courtenay. Growing up she loved to watch comic pianist Victoria Borge, as well as Carol Burnett. B次元官网网址淲hat most motivated me is I had really burned out from playing concerts.B次元官网网址�
Having already started crafting a different kind of act, HagenB次元官网网址檚 self-effacing comedy show was simultaneously accepted for the Toronto Fringe Festival. The rest, as they say is history. B次元官网网址淚 came back full circle, itB次元官网网址檚 like a recital and then I give the audience a chance to see [my] thought bubble.B次元官网网址�
For a full performance schedule and ticket information, visit .
