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The story behind Barbenheimer, the summerBԪַs most online movie showdown

Radically different blockbusters releasing at the same time sparking lots of conversation

The very online showdown between and all started with a date: July 21.

ItBԪַs not uncommon for studios to counterprogram films in different genres on a big weekend, but the stark differences between an intense, serious-minded picture about of the atomic bomb and a lighthearted, candy-colored anthropomorphizing of quickly became the stuff of viral fodder.

ThereBԪַs even some disagreement over whether itBԪַs BԪַBarbieheimerBԪַ or BԪַBarbenheimerBԪַ or BԪַBoppenheimerBԪַ or yet another tortured portmanteau BԪַ a phenomenon on which the AP Stylebook has yet to offer guidance, but for the purposes of this article will be BԪַBarbenheimer.BԪַ

It didnBԪַt hurt that both Nolan and Gerwig have very passionate and very online fandoms eager to join in. Never mind that many of those fans overlap BԪַ the memes, allegiances, and T-shirts were just too fun.

Both movies often trend on social media when the other releases a new asset BԪַ a trailer, a picture, an interview. On one level, itBԪַs a marketing departmentBԪַs dream. Awareness could not be higher, the conversation couldnBԪַt be louder, and neither film even has official reviews out yet.

BԪַBԪַBarbenheimerBԪַ is a marketing gift borne out of social media and I think itBԪַs benefiting both films,BԪַ said Paul Dergarabedian, the senior media analyst for analytics firm Comscore. BԪַYouBԪַre certainly aware of both movies in a more profound and compelling way than I think might have otherwise happened had they been released on different weekends.BԪַ

AMC Theaters reported that 20,000 of its AMC Stubs members had purchased tickets for a double feature. If youBԪַre counting, thatBԪַs 294 minutes of moviewatching. Even BԪַ Barbie herself BԪַ and the star of have started plotting the ideal BԪַBarbenheimerBԪַ day.

BԪַItBԪַs a perfect double bill,BԪַ said Robbie at her movieBԪַs London premiere Wednesday. BԪַI think actually start your day with BԪַBarbie,BԪַ then go straight into BԪַOppenheimerBԪַ and then a BԪַBarbieBԪַ chaser.BԪַ

Cruise BԪַ whose opened a little over a week before the BԪַBarbenheimerBԪַ showdown BԪַ said at his premiere heBԪַd plan to see both on their opening day, likely starting with BԪַOppenheimer,BԪַ which seems to be the internetBԪַs preferred viewing order as well.

BԪַBarbieBԪַ actor thinks thereBԪַs a reason for that.

BԪַI think that thereBԪַs a very specific order that if you see them in. If you see BԪַOppenheimerBԪַ last then you might be a bit of a psychopath,BԪַ she diagnosed at the London premiere.

The showdown has made armchair marketing experts out of everyone, quick to scrutinize every move by Warner Bros. and Universal BԪַ as though itBԪַs possible to compare two extraordinarily different campaigns.

One has infinite opportunities for photo opportunities, whimsical brand partnerships for seemingly everything from underwear to pool floats, large-scale fan events with autograph signings and pop stars like posting about the soundtrack. In other words, the BԪַBarbieBԪַ campaign can go nuclear.

BԪַOppenheimerBԪַ has the bomb, the alluring mystery but itBԪַs not the kind of movie that lends itself to, say, a frozen yogurt collaboration.

Is the competition real, though, or just a meme? Some in Hollywood wondered if Warner Bros. plopped BԪַBarbieBԪַ on the weekend as a slight to Nolan, who had opened many films for the studio in that corridor including BԪַInceptionBԪַ and BԪַDunkirk.BԪַ

He left Warner Bros. amid its controversial decision to send a yearBԪַs worth of movies to streaming and made BԪַOppenheimerBԪַ with Universal instead. But a pointed box office war doesnBԪַt exactly make sense for a studio that has talked recently about wanting to lure Nolan back.

There is an unspoken code of conduct: Never badmouth another studioBԪַs film, publicly at least. This is partly decorum, especially when it comes to BԪַbox office showdownsBԪַ which all will say are a creation of the press and sideline spectators.

But itBԪַs also rooted in some truth: The conventional thinking is that having eyes on one movie is good for other movies BԪַ you see their posters and trailers and on some level everyone benefits.

And social media has allowed movie stars to get in on the game, too. Following reports that Cruise was irked the latest BԪַMission: ImpossibleBԪַ was going to lose its IMAX screens to BԪַOppenheimerBԪַ after only a week, Cruise posted photos of himself and standing in front of posters for BԪַBarbieBԪַ and BԪַOppenheimer,BԪַ holding tickets for each.

BԪַThis summer is full of amazing movies to see in theaters. These are just a few that we canBԪַt wait to see on the big screen,BԪַ CruiseBԪַs Instagram caption read.

The official accounts for BԪַIndiana Jones,BԪַ BԪַBarbieBԪַ and BԪַOppenheimerBԪַ responded with supportive notes. Gerwig and Robbie even followed with a similar photo series a few days later, which the official BԪַOppenheimerBԪַ Instagram account reposted in its stories.

Charged with playing Oppenheimer, Cillian Murphy told the AP at his movieBԪַs London premiere that BԪַof courseBԪַ heBԪַd be seeing BԪַBarbie.BԪַ The sporting cross-promotion between four studios BԪַ Universal, Warner Bros., Disney and Paramount BԪַ is something the film business has not quite seen before.

BԪַNot only is Tom Cruise the biggest box office star in the world, but heBԪַs also an incredible ambassador for the movie theater, for the movie theater experience and boosting other movies,BԪַ Dergarabedian said. BԪַAnd that collegial atmosphere within the framework of what is seen as the very competitive box office derby is kind of a nice thing.BԪַ

Still, everyone likes a No. 1 debut, and both BԪַBarbieBԪַ and BԪַOppenheimerBԪַ reportedly carry $100 million production price tags (not including the millions spent on marketing). As far as goes, BԪַBarbieBԪַ has it in the bag with forecasts showing that it could open above $90 million in North America. BԪַOppenheimerBԪַ meanwhile is tracking in the $40 million range. Then thereBԪַs the wild card of second weekend, which could snag second place.

Still even with a second- or third-place start, BԪַOppenheimerBԪַ could be destined for a long, steady, profitable run into awards season. Adult audiences for R-rated movies are not often the ones who pack theaters the first weekend.

Back in 2008, in the midst of the recession, Warner Bros. and Universal faced off on the same July weekend with that went up against a lighthearted confection: and BԪַMamma Mia!BԪַ BԪַ both of which went on to be enormously profitable (though Nolan did win the first weekend).

The bigger worry is that whatBԪַs been heralded as has had more ups and downs than anyone might have hoped. ThatBԪַs putting quite a bit of pressure on BԪַBarbenheimerBԪַ to overperform and boost the which pales in comparison to the bigger issues facing the industry

But with just over a week to go, itBԪַs still a source of amusement. Even BԪַBarbieBԪַ co-star threw the gauntlet in his winking way at the London premiere.

BԪַI think the world maybe wants to see BԪַBarbieBԪַ a little bit more right now,BԪַ Ferrell said. BԪַJust saying!BԪַ

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