If you ask Sandra Oh, PixarBԪַs spotlight on the emotional tumult of a Chinese-Canadian girlBԪַs entry into puberty in BԪַTurning RedBԪַ is a turning point BԪַ not just for Hollywood and its growing platform for underrepresented stories, but for her own career.
BԪַIBԪַm just so thrilled to be part of a Pixar family unit,BԪַ a smiling Oh says in a recent video call from Toronto before attending the filmBԪַs Canadian premiere.
Part of her happiness, Oh says, is that BԪַTurning RedBԪַ is a sign of change, and that makes it a BԪַpoint of celebration.BԪַ
She plays Ming, the incredibly loving but equally overprotective mother of 13-year-old Mei.
For the Ottawa-born actress, it was imperative that Ming be culturally accurate, minus any whiff of stereotype. She was keen to veer away from the controlling Asian BԪַtiger momBԪַ persona.
BԪַMing is a full-fledged character,BԪַ says Oh. BԪַMy experience with my mother is not so much like Ming, who can be seen as overprotective and embarrasses her daughter really intensely. My mother was an extremely demanding person in other ways.
BԪַBut for me, as I always have tried to my entire career, to bring a full humanity to each character, itBԪַs the truth, the authenticity and the feeling behind a character that will resonate with the audience no matter what the situation is. ThatBԪַs what will always matter most.BԪַ
The filmBԪַs Toronto-bred director Domee Shi says that commitment to authenticity is why she believes BԪַno one else could have played Ming,BԪַ dubbing Oh BԪַthe queenBԪַ of the set.
BԪַWe knew we needed an actress who had a huge range, who could play a character who is sharp and fierce, also funny, warm, loving, a little kooky and crazy,BԪַ says Shi.
BԪַBut also who could ground all of that in a way that really makes the audience empathize with her and that could have only been Sandra. She added so much depth.BԪַ
Oh admits to only recently recognizing her own dexterity with such complex roles, not to mention the fact Hollywood had taken note as well. When she was offered a part in the BBC/Bravo series BԪַKilling Eve,BԪַ she says she couldnBԪַt deduce which character they wanted her for.
That was well after spending nearly a decade playing Dr. Cristina Yang in ABC/CTVBԪַs BԪַGreyBԪַs Anatomy,BԪַ and earning five Emmy nominations and a Golden Globe. After which, Oh made it known, few job offers came her way.
So when it came to BԪַKilling Eve,BԪַ Oh automatically assumed she was not being considered for the headstrong lead BԪַ a role that would bring her a second Golden Globe Award BԪַ citing an internal bias sheBԪַs had to work hard to undo.
BԪַItBԪַs complex,BԪַ Oh explains. BԪַThat moment of internalized racism, IBԪַm not holding that all the time. What I think is important about the past two years, as a lot of people have come to the forefront with the demand for racial justice and racial reckoning, is you have to take a look at whatBԪַs going on inside yourself.BԪַ
Even after considerable onscreen success, Oh says those issues were not easy to confront.
BԪַFor me, it was how unconscious that thinking was, even though I spent most of my career trying to unhook myself from it. ThatBԪַs how deep it goes.BԪַ
As the final season of BԪַKilling EveBԪַ comes to a close in April, Oh continues to take the lead: in 2021BԪַs Netflix series BԪַThe Chair,BԪַ she stars as the first woman of colour to head a university English department, and in the upcoming Sam Raimi-produced horror movie BԪַUmma,BԪַ she plays a Korean-American mother afraid her own mother has begun to haunt her.
BԪַIBԪַve always felt that I was a lead, (but) we need to hold all these things at the same time BԪַ I canBԪַt see myself because of internalized racism, patriarchy and all the things that we are all under the spell of,BԪַ she says.
BԪַWhat IBԪַm happy about is that IBԪַm now able to really experience a careerBԪַs worth of work being put out into the world. IBԪַve only started to really be gratified about that.BԪַ
It helps, too, that Oh has been instrumental in shaping her charactersBԪַ stories and lending them her own Korean background, as an executive producer on BԪַKilling Eve,BԪַ BԪַThe ChairBԪַ and BԪַUmma.BԪַ
Even with the latter, a psychological thriller, Oh was thrilled to see her own heritage and all its cultural complexities granted a big-budget platform.
BԪַItBԪַs a pity, because hereBԪַs a Pixar film where I play a hypervigilant, loving mom doing her best, and then BԪַUmmaBԪַ is a horror movie about a mother who maybe is not trying her best,BԪַ says Oh with a laugh.
But, she adds, BԪַThey have a similarity. YouBԪַre talking about intergenerational trauma, the trauma of immigration; those were the things that we were trying to explore and thatBԪַs rare.BԪַ
It all hearkens back to the 2018 Emmy Awards when Oh was the first Asian woman to be nominated for lead actress. Although she didnBԪַt win, she made a statement that evening that would become splashed across T-shirts: BԪַItBԪַs an honour just to be Asian.BԪַ
Although the Toronto-set BԪַTurning RedBԪַ manages to knit together multiple cultural touchpoints for Oh, she rejects the notion sheBԪַs come full circle.
BԪַI wouldnBԪַt use the metaphor of circle because it closes,BԪַ she says, forming a wave with her hands.
BԪַI feel like my career is more of a wavy line. And hopefully itBԪַll just continue moving upwards and outwards.BԪַ
BԪַSadaf Ahsan, The Canadian Press