Heart and vulnerability weave through Steven SpielbergBԪַs late-career offering BԪַThe Fabelmans,BԪַ loosely based on the filmmakerBԪַs childhood.
But more than just being about the beginnings of one of HollywoodBԪַs most successful visionaries, this is a story about family, relationships and heartbreak.
The opening scenes are dedicated to a young, inquisitive Sammy Fabelman, played by Gabriel LaBelle, who develops an obsession with a train crash. After seeing it in a theatre, he becomes preoccupied with the idea of recreating it in toy form.
From here, Spielberg shows audiences what they need to know: the warmth of his motherBԪַs smile as she offers him his fatherBԪַs camera. Is this the exact moment the boy becomes the filmmaker heBԪַll grow up to be?
Spielberg and fellow screenwriter Tony Kushner focus on family dynamics BԪַ his two sisters are played by Julia Butters and Keeley Karsten, while hisparents are played by Michelle Williams and Paul Dano. Seth Rogen portrays a dear family friend, Uncle Benny. His mother, a former pianist and artistic maverick of the family, urges Sammy every step of the way but his father seems too preoccupied with career status to fully appreciate the budding filmmakerBԪַs skills.
ThereBԪַs an infectious sense of happiness in the way Spielberg presents the Fabelman family, whether it be humorous small talk at the dinner table, or their jubilant Hanukkah celebrations.
Through it all, thereBԪַs also an illusion of happiness. Williams does a remarkable job with every gesture and gaze that reveal who she is versus who her husband assumes her to be.
It recalls some of SpielbergBԪַs most celebrated films, which often explore the turmoil and wonder of adolescence. The link between parent and child has been a central motif of Spielberg works from BԪַEmpire of the SunBԪַ to BԪַA.I. Artificial Intelligence.BԪַ In BԪַE.T.: The Extra-Terrestrial,BԪַ the character Elliott played by Henry Thomas copes with grief over the divorce of his parents by adopting an alien from another world. In the case of Sammy, he finds solace in filmmaking.
Through each pained experience, Sammy finds ways to use film to distance himself, using his ingenuity and professional obsession as both a passion and therapy.
ItBԪַs why BԪַThe FabelmansBԪַ feels truest to Spielberg as an individual. ItBԪַs ripe, without otherworldly metaphors to hide the fact that heBԪַs speaking of his own experiences BԪַ when the buildup of accomplishments, breakups, antisemitism and pain loomed large in his life.
If there ever were a message, it was painfully clear: An artist isnBԪַt birthed within a vacuum.
BԪַThe FabelmansBԪַ screens Wednesday, Friday and Saturday at TIFF.
BԪַNoel Ransome, The Canadian Press