There are some good gags and clever innovations in the animated but there is one brilliant idea: casting Ice Cube as the voice of the movieBԪַs mutant insect supervillain Super Fly.
It might have once been hard to foresee the value of having the emcee who rapped of BԪַdropping bombs on your momsBԪַ as the MVP of a PG-rated kids movie. But weBԪַre now up to the seventh BԪַTeenage Mutant Ninja TurtlesBԪַ film, not counting all the series and videogames. ThatBԪַs a lot of movies for a bit of IP thatBԪַs clung more firmly to lunch boxes than it has to pop culture. For the turtles, it was getting to be time to either, as Ice Cube would say, BԪַchickity-check yoBԪַ selfBԪַ or try something new.
BԪַMutant Mayhem,BԪַ which opens in theaters Wednesday, canBԪַt entirely get over the feeling of trodding over well-covered turtle ground. But if we must go once more into the ooze, the film by director Jeff Rowe (co-director of ) and co-written by co-producers Seth Rogen and Evan Goldberg, is probably the best of a not-so-stellar franchise. ItBԪַs certainly the one most invested with that BԪַteenageBԪַ part of the turtlesBԪַ name. Plus, itBԪַs got Ice Cube as a fly who quotes from the OBԪַJays.
The animation is vividly textured, the beat is persistently hip-hop (Lauryn Hill, De La Soul, OlBԪַ Dirty Bastard and others pack the electronic score by Trent Reznor and Atticus Ross) and the New York of the film is impressively detailed. But the most important twist to this BԪַTeenage Mutant Ninja TurtlesBԪַ iteration may be diving into the teenage-ness of its 15-year-old turtles.
If BԪַBarbieBԪַ was balanced between BԪַMutant MayhemBԪַ gives itself over more fully to the mindset of adolescence. ThatBԪַs in the gross-out humor and the comic book-like feel of the animation. But these are also recognizable teenagers who watch movies (BԪַFerris BuellerBԪַs Day OffBԪַ), pine for concert tickets and make goofy phone videos of themselves slicing watermelons.
What Donatello (Micah Abbey), Michelangelo (Shamon Brown Jr.), Leonardo (Nicolas Cantu) and Raphael (Brady Noon) really want is to fit in and go to high school like other teens. They have been relegated to the sewer ever since Splinter, a rat voiced by Jackie Chan, happened upon them after they were exposed as hatchlings to the same ooze that spawned Super Fly BԪַ who himself was the product of experiments by scientist Baxter Stockman (Giancarlo Esposito, fated to dubious laboratories).
Splinter has much the same opinion of the majority of the rats in BԪַRatatouilleBԪַ: Humans canBԪַt be trusted. (SplinterBԪַs particular fear is that they will BԪַmilkBԪַ him.BԪַ) So the turtles have grown up underground, a little like the homeschooled family of while yearning for the wider world.
They find a hint of it with a high-school journalist named April OBԪַNeil (Ayo Edebiri), who wants to document, and thus prove to humankind, their decency. At the same, the turtles meet the charismatic Super Fly (voiced with bombastic aplomb by Ice Cube) and his band of mutants. At first, theyBԪַre fast-friends BԪַ BԪַcousins,BԪַ Super Fly says BԪַ but the turtles then start hearing of Super FlyBԪַs plans to turn all animals into mutants and eradicate the world of humans.
BԪַPeoples, they got to go,BԪַ chimes one mutant.
Some of the thunder of BԪַMutant MayhemBԪַ has been stolen by BԪַInto the Spider-VerseBԪַ and BԪַ films that likewise upend the typical look of studio animation and do it with a pulsing soundtrack; but they did it more eclectically.
Yet this BԪַTeenage Mutant Ninja Turtles,BԪַ while a half shell of those films, has its own low-key charms. ItBԪַs goofier, grosser and mostly fun. The four turtles are never more than a hard-to-differentiate bale of overlapping dialogue of doubt and anxiety. But that first word in their name finally feels genuine. Seven films in, itBԪַs only right that Donatello, Michelangelo, Leonardo and Raphael should get a renaissance.
BԪַTeenage Mutant Ninja Turtles: Mutant Mayhem,BԪַ a Paramount Pictures release, is rated PG by the Motion Picture Association for sequences of violence and action, language and impolite material. Running time: 99 minutes. Three stars out of four.
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