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Review: Murder-mystery BԪַSee How They RunBԪַ really staggers

Love letter to/send-up of whodunits is a pleasant diversion, if not a particular memorable one
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This image released by Searchlight Pictures shows Sam Rockwell and Saoirse Ronan in a scene from BԪַSee How They Run.BԪַ (Parisa Taghizadeh/Searchlight Pictures via AP)

A murder occurs right as begins and for a very good reason: ItBԪַs a whodunit film about a real murder backstage at a whodunit play where all the murders are fake.

Got that? Good. Shall we continue?

Sam Rockwell and Saoirse Ronan star as police officers who must unravel this knotty mystery in early 1950s London in a film thatBԪַs as much a valentine to whodunits as an indictment of them, and itBԪַs not always clear which side the filmmakers are on.

ThereBԪַs a touch of noir, some mocking of the murder-mystery tropes, a dash of self-awareness, lots of fedoras and coats, mannered humor BԪַ BԪַPoppycock!BԪַ says one character; BԪַHitchcock, actually,BԪַ comes the reply BԪַ and an archness that keeps everything at armBԪַs length.

All in all, a pleasant diversion, if not a particular memorable one, although it has snagged a pretty impressive cast, all employing upper-class British accents as thick as Devonshire scones. It seems perfectly designed for folks who adore Acorn TV and PBS British mysteries. You know how many celebrities decide to star in kiddie films so that their children can finally appreciate what they do for a living? Well, BԪַSee How They RunBԪַ is for their grandparents.

It kicks off backstage in the West End at Agatha ChristieBԪַs BԪַThe Mousetrap,BԪַ a mystery that in this telling has celebrated 100 performances and Hollywood is noticing. But thereBԪַs a catch: No film adaptation can be made while the play is still running. That may lead to some sabotage.

When the malignant, would-be film director BԪַ a delicious Adrien Brody, playing the only American BԪַ ends up the victim of a murder BԪַ sorry thatBԪַs a MU-dur BԪַ Rockwell and Ronan show up to solve the crime, he a steely-eyed copper who drinks too much and she a nervous novice prone to jumping to conclusions.

The early death of BrodyBԪַs character doesnBԪַt mean heBԪַs out of the movie. HeBԪַs our narrator, snacking on the dialogue as if it were an overstuffed pastrami sandwich. BԪַItBԪַs a whodunit,BԪַ he says at one point. BԪַIf youBԪַve seen one, youBԪַve seen them all.BԪַ

Also along for the ride are Ruth Wilson, Reece Shearsmith and Harris Dickinson. ThereBԪַs also a fancy intellectual screenwriter played insouciantly by David Oyelowo, who is derisively called BԪַLondonBԪַs most sensitive writer.BԪַ It is a hoot to see him play insufferable BԪַ as it is to see Ronan do comedy.

Director Tom George and screenwriter Mark Chappell revel in the time period BԪַ the cars and furs and vintage dialogue speckled with BԪַDarlingsBԪַ and BԪַHop to it!BԪַ This is a film for you if you like your police officers extremely polite. BԪַConstable,BԪַ says Rockwell to his partner. BԪַInspector,BԪַ the underling replies. They do this approximately 400 times.

It is a film that adores commenting on its own conventions as it folds in on itself, as when stage props fool savvy characters or when it introduces a flashback and OyelowoBԪַs screenwriter complains that such a device is BԪַthe last refuge of a moribund imagination.BԪַ Somewhere in here is an indictment of Hollywood but it is as blunt a weapon as the one that does the murder.

The filmmakers employ all kinds of ways to try to keep viewers interested, like split screens, some farce and a surreal dream sequence, but thereBԪַs not enough humor or grit or anything other than actors swanning around in period clothing.

BԪַSee How They RunBԪַ fits perfectly in a vibe right now BԪַ BԪַOnly Murders in the BuildingBԪַ on TV and BԪַKnives OutBԪַ at the movie theater. Add to the list Kenneth BranaghBԪַs Poirot adaptations BԪַMurder on the Orient ExpressBԪַ and BԪַDeath on the Nile.BԪַ Whodunits are hot. But if youBԪַve see this one, youBԪַve definitely seen them all.

BԪַSee How They Run,BԪַ a Searchlight Pictures release only in theaters starting Friday, is rated PG-13 for BԪַsome violence/bloody images and a sexual reference.BԪַ Running time: 98 minutes. One star out of four.

BԪַMark Kennedy, The Associated Press





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