LetBԪַs face it, BԪַPinocchioBԪַ has always been an odd choice for a childrenBԪַs morality tale.
Of course, lying is wrong. But thatBԪַs not the only message the story sends. Even the classic 1940 Disney version BԪַ lighter and more kid-friendly than the 1883 Collodi tale BԪַ still sends the message that if youBԪַre not BԪַgood,BԪַ you donBԪַt deserve to be human.
BԪַA boy who wonBԪַt be good might just as well be made of wood,BԪַ the beneficent Blue Fairy admonishes Pinocchio in that film. Really? What happened to the idea that BԪַto err is human?BԪַ Not to mention second chances, or learning curves? And what does BԪַgoodBԪַ mean, anyway? Have they heard of value relativism? But we digress.
Because now comes Guillermo del Toro, with his blazing creative talent, to really stir things up. And boy, this is not your Disney BԪַPinocchioBԪַ BԪַ not the 1940 classic nor the remake of a few months ago. How will your kid feel about fascist salutes (or you about explaining them?) A guy named Mussolini? Bombs falling from the sky? A father handing a gun to his son and saying BԪַShoot the puppet?BԪַ (Yes, sweet Pinocchio BԪַ THAT puppet.)
Of course, del Toro, whose take on BԪַPinocchioBԪַ is so distinct that the movie is called has just the visual command youBԪַd expect, partnering with co-director Mark Gustafson in this gorgeous stop motion project with a starry voice cast (including three Oscar winners BԪַ Christoph Waltz, Cate Blanchett and Tilda Swinton.) The movie often looks stunningly beautiful, in color and texture. And youBԪַll want to get on a plane right now and find the Italian village where Geppetto lives, with cobblestoned alleyways framed by snow-capped mountains jutting out in the mist.
Pinocchio, too, is way more interesting-looking than the blue-eyed, bow-tie wearing puppet weBԪַre used to. HeBԪַs a lanky masterpiece in striated pine, with wooden curls, too, and something about him is heartbreakingly lovable. Maybe itBԪַs because he makes mistake after mistake. And to err is BԪַ oh, never mind.
We first meet Geppetto (David Bradley) as the happy father to a real son, Carlo. BԪַAll they needed was each otherBԪַs company,BԪַ says the narrator, namely Sebastian J. Cricket, voiced by Ewan McGregor. They spend their evenings reading stories by the fire, and Carlo accompanies Geppetto to his job restoring a huge Jesus altarpiece in the church. ItBԪַs there that tragedy strikes one day; a warplane drops a bomb onto the church, killing Carlo. Geppetto withdraws to drinking and mourning.
In grief, Geppetto cuts down a pine tree and makes a puppet. In the night, the Wood Sprite (Swinton, not to be confused with her sister, Death, also Swinton) comes to visit. As in other versions, she asks the cricket to watch over Pinocchio and serve as his conscience.
Geppetto brings the puppet to church, but heBԪַs greeted with hostility: BԪַWhere are his strings? Who controls him?BԪַ At home, Pinocchio wonders why everyone loves the wooden Jesus but not him. A fascist town leader pronounces Pinocchio a BԪַdissidentBԪַ and BԪַindependent thinker.BԪַ Not as a compliment.
Like in other versions, Pinocchio gets caught up with a money-hungry impresario, Count Volpe (Waltz) who puts him in a puppet show. Unlike other versions, one audience member happens to be Il Duce (Mussolini.) Also unlike other versions, he orders Pinocchio shot. Pinocchio also gets hit by a truck. Luckily, SwintonBԪַs Death keeps sending him back to life.
If this seems a bit unsavory for the younger kids, you ainBԪַt seen nothinBԪַ yet BԪַ Pinocchio ends up at a fascist military camp, where the boys are set against each other in deadly war games. Compared to this section, the time he and Geppetto later spend in the belly of a whale seems rather quaint.
Did we mention that this movie is a musical? Freud would probably say thereBԪַs a reason we forgot BԪַ the songs, some catchier than others, often seem to be dropped soon after theyBԪַre started, petering out softly as we move to something else. The musical element is best used in the theater scenes where Pinocchio is forced by Volpe to perform. And kids will definitely enjoy the song where Pinocchio boldly (and dangerously) goads the visiting Mussolini with lyrics about poops and farts.
But BԪַGuillermo del ToroBԪַs PinocchioBԪַ is clearly not aimed solely at kids, but rather is banking on the fact that adults, too, will be drawn to the striking visuals and mature themes at play.
Those themes include parenting. For much of the movie Geppetto wishes Pinocchio would be just like Carlo, his human son. But gradually the old man realizes he doesnBԪַt need to replace Carlo BԪַ Pinocchio is just fine, and he doesnBԪַt need to become human to be loved.
Del Toro is also making clear references to the danger of groupthink. Indeed, he seems to have chosen the background of fascism to point out that the narrowminded townspeople who suspect Pinocchio because heBԪַs different are the real puppets, not Pinocchio.
BԪַGuillermo del ToroBԪַs Pinocchio,BԪַ a Netflix release, has been rated PG by the Motion Picture Association of America BԪַfor dark thematic material, violence, peril, some rude humor and brief smoking.BԪַ Running time: 114 minutes. Two and a half stars out of four.
BԪַJocelyn Noveck, The Associated Press