If there is one thing thatBԪַs true of most of the movies in the Marvel Cinematic Universe, itBԪַs that they have life and spirit to spare. ItBԪַs a kind of an intoxicating joy that dares even the most comic book-apathetic to get onboard and delight in the spectacle, and it usually comes down to the characters. You might not care about whatever Earth-threatening foe is at large this time, but you care about Captain America, Black Panther and Black Widow and enjoy spending a few hours with them.
I spent over two hours with Captain Marvel/Carol Danvers and I still have no idea what her personality is. Sure, thereBԪַs a lot more going on in BԪַCaptain Marvel ,BԪַ but itBԪַs a pretty egregious failing considering that the creative bigwigs at Marvel had 10 years and 20 films to work it out. ItBԪַs hard to say whether thatBԪַs a flaw in Brie LarsonBԪַs performance or a failure of the script, but I came out of the film from writers/directors Anna Boden and Ryan Fleck not caring all that much about her beyond what her dazzling powers might mean for the next Avengers film, which is perhaps the lamest way of all to experience these movies.
The story drops you in the middle of things and gives Carol Danvers a convenient case of amnesia as she tries to piece together her past by dreaming of Annette Bening while training to be a soldier with Jude Law on the planet of Kree. She is told at least 10 times in the first 10 minutes of the film that she needs to control her emotions, mostly by Law. This is a charged thing to say to a woman, but also confusing because BԪַemotionalBԪַ is the last word I would use to describe the character as sheBԪַs presented. SheBԪַs more impulsive and bullheaded than anything else. Emotions and heart donBԪַt seem to have anything to do with her decisions. At times it even seems like sheBԪַs channeling the Terminator.
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But this is also a script that has Larson delivering eye-rolling lines like BԪַenough of your mind gamesBԪַ with a straight face. SheBԪַs a great actress, but thatBԪַs a tall order for the best of them.
The film is meant to be disorienting, especially at the beginning. SheBԪַs confused and so the audience must be too, I guess? But things start to come together when she crash-lands on Earth in the middle of a Los Angeles Blockbuster BԪַ somewhere around 1995, which you know because thereBԪַs a BԪַBabeBԪַ poster and a cardboard display for BԪַTrue Lies.BԪַ The filmmakers have fun with all their mid-BԪַ90s references from computers to musical cues (if you like angry BԪַ90s girl pop anthems youBԪַre in luck), but I wish someone would have been paying that much attention to the continuity of LarsonBԪַs curls, which change even in the middle of scenes.
In LA, she comes across a young Nick Fury, played by a digitally de-aged Samuel L. Jackson, whose infectious liveliness is a godsend. Together they try to both track down shapeshifting alien invaders called the Skrulls (led by Ben Mendelsohn) and also get answers about her past, which honestly sounds a lot more interesting than her present. But this is the origin story they went with and it does not include Bening teaching Larson how to fly a fighter plane.
There are some twists and turns and a scene-stealing orange cat that would be difficult to discuss here without spoiling everything. All-in-all itBԪַs fine, but nothing to get too excited about. And it could have and should have been so much better: The cast was there, the cool directing talents, the budget and the BԪַbrandBԪַ goodwill. Halfway through most Marvel movies I donBԪַt often find myself dreaming up some other Brie Larson, Jude Law, Annette Bening, Samuel L. Jackson, Ben Mendelsohn and Gemma Chan movie (oh right Gemma Chan is in this as a glorified extra), but it happened in BԪַCaptain Marvel.BԪַ
The first female-led movie of the MCU deserved more.
BԪַCaptain Marvel,BԪַ a Walt Disney Studios release, is rated PG-13 by the Motion Picture Association of America for BԪַsequences of sci-fi violence and action, and brief suggestive language.BԪַ Running time: 124 minutes. Two and a half stars out of four.
MPAA Definition of PG-13: Parents Strongly Cautioned. Some material may be inappropriate for children under 13.
Lindsey Bahr, The Associated Press
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