Not long into BԪַBlack Adam,BԪַ a preteen boy looks up at the muscled hulk of Dwayne Johnson and begs for his help: BԪַWe could use a superhero right now.BԪַ
Speak for yourself, kid.
Do we need another superhero with another convoluted origin story that stretches back thousands of years and fulfills a whacko destiny? Do we really need another clutch of secondary level heroes to muddy focus? WeBԪַre almost 40 deep into the Marvel Cinematic Universe and a dozen in the DC universe. You can almost smell the fumes now, canBԪַt you?
isnBԪַt bad, itBԪַs just predictable and colour-by-numbers, stealing from other films like an intellectual property super-villain. But Johnson is a natural in the title role, mixing might with humor and able to deliver those necessary wooden lines. Why he hasnBԪַt had a starring role in a DC or Marvel superhero flick until now is astonishing BԪַ cBԪַmon, heBԪַs built himself into a freaking superhero in street clothes already.
Like MarvelBԪַs BԪַEternals,BԪַ BԪַBlack AdamBԪַ gets out of the blocks very sluggishly with the tangled tale of our setting BԪַ Kahndaq, a fictional Middle Eastern kingdom in 2,600 B.C. that has wizards, a blood-thirsty king, a magical crown and Eternium, a rare metallic ore with energy-manipulating properties (Hello, Vibranium from BԪַBlack PantherBԪַ).
Flash-forward to present day, where Kahndaq is under the cruel rule of the organized crime syndicate Intergang and its citizens are ripe to rebel. They think they may have a leader in Black Adam (here Teth Adam, when he is introduced), who is released from his 5,000-year-long tomb and is naturally cranky. Is he a force for good or bad? (Or for a new sub-franchise?) The answer is yes to all.
Yet the other superheroes in the DC pantheon arenBԪַt sure about the new guy and send what can only be described as the Plan B of muscle from leftover members of a knock-off organization called the Justice Society of America.
ThereBԪַs Doctor Fate (a dollar-store Doctor Strange played by Pierce Brosnan, who somehow keeps his dignity), Atom Smasher (Noah Centineo, nicely playing a dweeby and always hungry giant), Aldis Hodge as a one-note Hawkman and Quintessa Swindell as Cyclone, who can control BԪַ checks notes BԪַ the wind. They apparently left at home the superhero with the ability to open jars.
Black Adam is more than a match for all of them combined. He can fly, move as fast as The Flash, catch rockets, deflect bullets and harness his own bluish electricity. Mostly he does this weirdly passive thing of just floating. BԪַI kneel before no oneBԪַ he intones, which might explain it.
Director Jaume Collet-Serra and the design team do a great job in every department but are let down by a derivative and baggy screenplay by Adam Sztykiel, Rory Haines and Sohrab Noshirvani that goes from one violent scene to another like a video game in order to paper over a plot both undercooked and overcooked. At one point, with the audience exhausted by all the carnage, they introduce skeletons who rise up as a legion from hell, just what we wanted.
They nicely include pockets of humor that DC has not always done well BԪַ a recurring bit with BԪַBaby Come BackBԪַ and teaching Black Adam satire are fun; a Clint Eastwood gag fails BԪַ and there may have been three natural endings piling up before the final, manipulative one. (BԪַThis can only end one way,BԪַ says the script. DonBԪַt believe it.)
Amidst the punching superheroes are two humans BԪַ a rebel leader and her skateboard-and-comics-loving pre-teen son, played superbly by Sarah Shahi and Bodhi Sabongui, respectively. Comedian Mohammed Amer is a much-needed bolt of bright humor.
Most intriguing BԪַ and the angle most fruitful to lean into BԪַ is the notion of hero itself. The Justice Society members are shocked to find that they arenBԪַt seen as heroic to the residents of Kahndaq, living 27 years under oppression. Black Adam has come to help, even if heBԪַs a little more violent. Residents wonder where were the guys with all the superpowers for almost three decades while they suffered BԪַ a nice dig at Western nations.
BԪַThere are only heroes and villains. Heroes donBԪַt kill people,BԪַ a confused Hawkman states. Black Adam replies: BԪַWell, I do.BԪַ It is ShahibyBԪַs character who notes that itBԪַs easy to call someone a hero when youBԪַre the one drawing the line.
The number of BԪַ ahem BԪַ call-backs to other films is pretty sad BԪַ BԪַTomb Raider,BԪַ BԪַBack to the FutureBԪַ and plenty of BԪַStar WarsBԪַ (even, unforgivably, the line BԪַYouBԪַre our only hopeBԪַ.) ItBԪַs a film that is sometimes self-aware, as when the kid urges Black Adam to come up with a catchphrase that will sell lunchboxes.
He does, but it makes little sense: BԪַTell them, BԪַThe man in black sent you.BԪַBԪַ Wait, he was sent by someone else? Do they mean Johnny Cash? Actually that may be a clue. What the filmmakers probably had in mind was cash BԪַ selling those lunchboxes.
BԪַBlack Adam,BԪַ a Warner Bros. Pictures release that hits cinemas on Friday, is rated PG-13 for sequences of strong violence, intense action and some language. Running time: 124 minutes. Two and a half stars out of four.
BԪַMark Kennedy, The Associated Press