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Not James Bond: Making BԪַQueerBԪַ required openness, Daniel Craig was ready

007 actor has freed himself of a too-snug tuxedo as he promotes bold new role
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This image released by A24 shows Daniel Craig, left, and Drew Starkey in a scene from BԪַQueer.BԪַ (Yannis Drakoulidis/A24 via AP)

is sitting in the restaurant of the Carlyle Hotel talking about how easy it can be to close yourself off to new experiences.

BԪַWe get older and maybe out of fear, we want to control the way we are in our lives. And I think itBԪַs sort of the enemy of art,BԪַ Craig says. BԪַYou have to push against it. Whether you have success or not is irrelevant, but you have to try to push against it.BԪַ

Craig, relaxed and unshaven, has the look of someone who has freed himself of a too snug tuxedo. Part of the abiding tension of was this evident wrestling with the constraints that came along with it. Any such strains, though, would seem now to be completely out the window.

Since exiting that role, Craig, 56, has seemed eager to push himself in new directions. He performed . His drawling detective Benoit Blanc (BԪַHalle Berry!BԪַ) stole the show in And now, Craig gives arguably his most transformative performance as the William S. Burroughs avatar Lee in Luca GuadagninoBԪַs tender tale of love and longing in postwar Mexico City, BԪַQueer.BԪַ

Since the movieBԪַs itBԪַs been one of the fallBԪַs most talked about performances BԪַ for its explicit sex scenes, for its vulnerability and for its extremely un-007-ness.

BԪַThe role, they say, must have been a challenge or BԪַYouBԪַre so brave to do this,BԪַBԪַ Craig said in a recent interview alongside Guadagnino. BԪַI kind of go, BԪַEh, not really.BԪַ ItBԪַs why I get up in the morning.BԪַ

In BԪַQueer,BԪַ which A24 release Wednesday in theaters, Craig again plays a well-traveled, sharply dressed, cocktail-drinking man. But the similarities with his most famous role stop there. Lee is an American expat living in 1950s Mexico City where he, in sweaty, rumpled linen suits, cruises for younger men while juggling an increasingly debilitating drug habit. (No matter what youBԪַve heard, the most truly unexpected sight in BԪַQueerBԪַ is Daniel Craig as an awkward suitor.)

Lee, though, is thunderstruck with infatuation for a poised and prim young man named Allerton (Drew Starkey). The film, adapted by BԪַChallengersBԪַ screenwriter Justin Kuritzkes, proceeds as a love story but also as a profound romantic mystery.

Allerton is enigmatic and aloof, and itBԪַs unclear how much heBԪַs embraced his homosexuality. Their evolving relationship is a constant confusion to Lee. BԪַQueerBԪַ becomes consumed not just with the question of their unsettled love, but of the tantalizing possibilities of liberation and the painful, long-term sacrifices of repression.

The film, classically filmed on soundstages in RomeBԪַs Cinecittà, is populated with expansive windows and doorways that seem to ask: What doors to yourself, or to life, are you willing to walk through?

BԪַMaybe another portal is his open chest. He just goes, BԪַPlease come in, come in,BԪַBԪַ says Craig. BԪַIt applies to art. It applies to everything. Letting oneBԪַs self go. If you donBԪַt do it, how can you ever know? That tragedy of not doing that is greater than the embarrassment of doing it. WeBԪַre defined by those moments in our lives.BԪַ

BԪַI just recognized so many things within himBԪַ

BԪַQueerBԪַ could be such a defining moment for Craig. For his performance, heBԪַs widely expected to land his first Oscar nomination. For Guadagnino, making BԪַQueerBԪַ is especially long in coming. He first read the book BԪַ written in the early BԪַ50s but, by BurroughsBԪַ own wishes, not published until 1985 BԪַ when he was 17.

For years, Guadagnino, the Italian filmmaker of and contemplated BԪַQueerBԪַ as a movie; he even once drafted his own script. In Lee, he saw a poetic figure.

BԪַIBԪַm really interested in the repression of others,BԪַ Guadagnino says. BԪַI realize many, many times I go back to the theme. The idea of being so vulnerable and ready to be. He doesnBԪַt have a sense of pride or a protection of social codes.BԪַ

While they were making BԪַC󲹱Բ,BԪַ released earlier this year, Guadagnino approached Kuritzkes about adapting BurroughsBԪַ novel. There were considerable hurdles. Burroughs never completely finished the novel, so the filmmakers resolved to finish it for him, writing into the movie an extended third-act ayahuasca trip. But adapting BԪַQueerBԪַ also meant leaving room for its unspoken spaces.

BԪַThere is so much in the movie that is about the way Lee looks at Allerton and the way Allerton looks at him, and looks away,BԪַ says Kuritzkes. BԪַA lot of that stuff is in the book, but when youBԪַre making the movie, you realize the way DanielBԪַs face registers DrewBԪַs face tells you what would be communicated in 15 pages of prose.BԪַ

BԪַOpen to playBԪַ

Guadagnino, convinced Craig was right for the role, approached the actor with the script. In Craig, Guadagnino saw someone, he says, who was BԪַopen to play.BԪַ Within days, Craig, long an admirer of GuadagninoBԪַs films, was in.

BԪַI just recognized so many things within him,BԪַ Craig says. BԪַSomeone who is both repressed and open, and the complicated relationship with love.BԪַ

Though it inverts the presentation of masculinity many associate with Craig, Lee of BԪַQueerBԪַ is more in line with some of the actorBԪַs earlier work, like 1998BԪַs BԪַLove Is the Devil.BԪַ ItBԪַs worth noting, too, that CraigBԪַs other major post-Bond movie role, Benoit Blanc, is also gay. (Hugh Grant plays his subtly suggested partner.)

For BԪַQueer,BԪַ there was extensive preparation, on accent and movement and BurroughsBԪַ own tortured history. But after months of research, the characterization only really emerged once shooting began.

BԪַI canBԪַt tell you how nervous I was. It was terrifying,BԪַ Craig says. BԪַBut something clicked that day, the first day. And Luca said, BԪַThatBԪַs it.BԪַ I was very nervous to try to expose it, but it became a kind of unfolding of the character. I kind of introduced myself to him.BԪַ

BԪַI think Daniel loves the camera in a way that is intimate,BԪַ adds Guadagnino. BԪַBecause he knows the camera cannot lie and you canBԪַt lie to the camera. The love you feel from the camera, to me, is not the love of vanity. ItBԪַs the love of recording the truth.BԪַ

Starkey, the 31-year-old BԪַOuter BanksBԪַ actor, was met with the very different challenge of playing a character with few words on the page and a cryptic presence. He theorized that Allerton is in retreat because itBԪַs BԪַas if youBԪַve lived your whole life and never seen your own reflection, and someone puts a mirror in front of your face.BԪַ

BԪַA question I asked early on was: Is Allerton aware of the game that heBԪַs playing? Is he aware that he may have some power over Lee, and does he like it?BԪַ says Starkey. BԪַLucaBԪַs answer to that was: BԪַThatBԪַs a very good question.BԪַBԪַ

Sex scenes in BԪַQueerBԪַ and the BԪַsalaciousBԪַ response

When BԪַQueerBԪַ premiered in Venice, much of the reception focused on the filmBԪַs steamy sex scenes with Craig and Starkey. Guadagnino laments the temptation of the press to be BԪַsalacious.BԪַ

BԪַThey canBԪַt help themselves,BԪַ he says. BԪַBut we are practical people. People make love. People laugh. People sleep. People inject heroin.BԪַ

BԪַOur job is only to make that as truthful as possible, and not shy away from it, not be coy about it,BԪַ adds Craig.

BԪַAnd can we just clear the table forever? When we were shooting the sex scenes it was so funny,BԪַ says Guadagnino. BԪַWe had fun. It was fun, light and then, done, letBԪַs move on to the next.BԪַ

As intimately as Craig and Starkey would be working together, they decided to let their relationship unfold naturally.

BԪַWe didnBԪַt, like, grab coffee and have a list of ice-breakers or something,BԪַ Starkey says. BԪַWe just started working. We jumped into movement rehearsals and that was a great way to learn how to be free with the other person. It never felt like there any walls up.BԪַ

Not having walls up was, in many ways, the abiding nature of BԪַQueer.BԪַ And for Craig, it was one of the most rewarding experiences of his career. He and Guadagnino are already planning another film together.

BԪַI donBԪַt have any grand plan for my career. ItBԪַs been OK BԪַtil now. ItBԪַs been going along,BԪַ Craig says, with a grin. BԪַThen something comes along like this and you find a group of people to have this wonderful experience with. It makes me go: I want to keep acting. I never wanted to give up, but if I could get this again, IBԪַd love to do it.BԪַ





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