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Movie Review: Americana, told Wes Anderson-style, in star-filled BԪַAsteroid CityBԪַ

BԪַItBԪַs about infinity and I donBԪַt know what elseBԪַ
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This image released by Focus Features shows Steve Carell and Aristou Meehan in a scene from BԪַAsteroid City.BԪַ (Focus Features via AP)

Wes Anderson gets back to the heart of things in BԪַAsteroid City,BԪַ a film about grief, performance, storytelling, the cosmos and, well, everything.

Or, as one character, a playwright played by Edward Norton, says when asked what his work is about: BԪַItBԪַs about infinity and I donBԪַt know what else.BԪַ

Meticulously designed and choreographed, with a beautiful, starry cast reading his and Roman CoppolaBԪַs droll words, BԪַ BԪַ is very, very Wes Anderson. ArenBԪַt they all?

But BԪַAsteroid CityBԪַ also represents a return to form (or at least the form most people preferred) after his past two films, BԪַIsle of DogsBԪַ and BԪַ ,BԪַ divided even his disciples. They worried, among other things, if style and form had finally usurped his storytelling. Regardless of whether you thought they were fun or painful or some dreadful in between, there was a palpable detachment to both films. Authentic emotion, when there at all, was strained.

In this way, BԪַAsteroid CityBԪַ seems like a response to all of that BԪַ an earnest and self-conscious case for making art, putting on the play, telling the story, acting the part even if you (and your audience) arenBԪַt entirely sure what youBԪַre saying.

It is wrapped in a labored and stylized conceit BԪַ a play within a play thatBԪַs being broadcast on a television network (the 1950s show BԪַPlayhouse 90,BԪַ worldlier people have noted, is the reference). And because itBԪַs a play, the American midcentury Desert West can look as set designed as Anderson wants. He didnBԪַt need a justification.

Nonetheless, itBԪַs a sly deflection BԪַ as is the idea that no one is really sure what the point is, embodied by Jason Schwartzman playing an actor playing a recently widowed war photographer, Augie Steenbeck, who has traveled to the desert with his brainiac son, Woodrow (Jake Ryan) and 6-year-old triplets (truly standouts).

They come to Asteroid City, population 87, for the Junior Stargazer Convention, a government organized science competition in which genius kids show off inventions (jet packs, blasters, etc.) which the government then owns, as Jeffrey WrightBԪַs Gen. Grif Gibson explains.

It is post-war in an anxious America where scientists are a key part of the nationBԪַs defense strategy. In the distance, atomic bombs are being tested, too. Was something in the air while things like BԪַAsteroid City,BԪַ BԪַOppenheimerBԪַ and even the documentary BԪַA Compassionate SpyBԪַ were coming together?

Here, the mushroom clouds are not terribly threatening though. They are, for lack of a better word, adorable.

This Stargazer convention allows for an assemblage of a quirky ensemble with government types (Fisher Stevens), the brainiac kids (Grace Edwards, Sophia Lillis, Ethan Josh Lee, Aristou Meehan), their parents (Scarlett Johansson, Liev Schreiber, Hope Davis, Steve Park), the head scientist (Tilda SwintonBԪַs Dr. Hickenlooper) a school group led by Maya Hawke and some musically inclined cowboys (among them, Rupert Friend) who, I think, just missed their bus. Locals include Hank the mechanic (Matt Dillon) and the motel manager (Steve Carrell). Tom Hanks is Stanley Zak, AugieBԪַs father-in-law and a wealthy Palm Springs retiree who wears a gun in his plaid pants

In the world of the play being put on, there is the director (Adrien Brody), his soon-to-be ex-wife (Hong Chau), the Lee Strasberg-y acting teacher Saltzburg Keitel (Willem Dafoe), the actress whose scene was cut (Margot Robbie), the host of the television program (Bryan Cranston) and Jeff Goldblum as, well, youBԪַll see. As always, the names are a delightful treat. And all the actors make a meal out of their parts, no matter how small.

But if there are characters with something like an arc to spotlight, that would be Schwartzman and Johansson, whose understated 50s movie star Midge Campbell might be one of her very best performances. Augie and Midge have a brief romance, mostly emotional, in that very repressed Wes Anderson way.

Is this all a little confusing? DonBԪַt dismay, I think that might be part of the point.

Maybe. Probably.

And, in any event, it works BԪַ BԪַAsteroid City,BԪַ with its sprawling cast, beautiful hues, mumbled jokes, box-within-a-box setup, references that only the 80+ crowd may truly get and retro-cool soundtrack, actually makes you feel things even if it canBԪַt quite make sense of itself.

BԪַJust keep telling the story,BԪַ as Brody Schubert Green says to his actor looking for answers and motivations, is advice that could be interpreted as a shrug. Or maybe itBԪַs actually everything BԪַ BԪַAsteroid CityBԪַ makes a pretty compelling case.

BԪַAsteroid City,BԪַ a Focus Features release in limited release Friday and nationwide June 23, is rated PG-13 by the Motion Picture Association for, BԪַsome suggestive material, smoking and brief graphic nudity.BԪַ Running time: 104 minutes. Three and a half stars out of four.

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