Canadian showrunners Brendan Gall and Martin Gero say theyBԪַve spent much of their careers shooting Canada as a stand-in for other places as far off as Los Angeles or a distant planet.
But in their new Netflix survival show, BԪַKeep Breathing,BԪַ Gall and Gero say they wanted to transport viewers to a part of the country thatBԪַs just as otherworldly, if less often seen onscreen.
BԪַWe really wanted to, as Canadians, bring the world to Canada as Canada, and not have it be a substitution for something else,BԪַ Gero said in a recent interview.
BԪַWe started to come on this idea of trying to figure out how to get all of the world to the Canadian wilderness in a way that could also be thrilling.BԪַ
The six-episode limited series follows New York lawyer Liv, played by BԪַIn the HeightsBԪַ star Melissa Barrera, as she struggles against the elements after a plane crash leaves her stranded in the far reaches of Canada.
The B.C. production also had to contend with the forces of nature to capture the severity and serenity of the showBԪַs setting, said co-creators Gall and Gero, whose previous collaborations include the sci-fi TV thriller BԪַBlindspot.BԪַ
The shooting schedule last summer was often dictated by conditions on the ground, Gero said, with four-wheelers hauling heavy filming equipment through forests and up mountainsides to reach remote locations.
A couple of locations had to be nixed because the province placed them under fire watch, Gall added, and the crew was on a BԪַrazorBԪַs edgeBԪַ that a warning could shut down a shoot weeks into filming.
BԪַThat was the sort of extreme sport for us of making the show, was taking these kinds of risks,BԪַ said Gall, who was raised in Halifax and lives in Toronto. BԪַWe just had to jump in, and we just were so lucky with what we got and what we were able to accomplish.BԪַ
The showrunners didnBԪַt want to alter the natural beauty of the sets by with lots of visual effects, Gero said. But they made an exception for many of the computer-generated campfires seen on the show, he said, suggesting a controlled open flame would pose too much of a risk to the environment.
BԪַWe wanted to be stewards of the land,BԪַ said Gero. BԪַIt was important for us to leave it as we found it.BԪַ
BԪַKeep BreathingBԪַ is the latest in a spate of survival shows that have been released during the COVID-19 pandemic, and Gero said he thinks the timing is no coincidence.
BԪַIt feels like thereBԪַs a survivalist instinct that has been activated in all of us,BԪַ said Gero. BԪַI think watching the most extreme version of that onscreen can be deeply, deeply cathartic.BԪַ
While other series in this genre, such as BԪַYellowjacketsBԪַ and BԪַThe Wilds,BԪַ revolve around the group dynamics of survival, the protagonist of BԪַKeep BreathingBԪַ is alone, so her central conflict is with herself, said Gero.
ItBԪַs an internal struggle that might resonate with viewers who are venturing back into the world after the extended isolation of COVID-19 lockdown, Gall added.
BԪַSheBԪַs incredibly competent as a lawyer. SheBԪַs incredibly confident as a human in New York City. But sheBԪַs been on sort of a full-time mission to keep herself from herself,BԪַ he said.
BԪַAlong with having to survive, get enough to eat, not die of the elements, she also is forced to sit with herself out there and sit in silence. She doesnBԪַt have anywhere to hide.BԪַ
BԪַSheBԪַs forced to kind of reconcile her past in order to move forward through this landscape and into her future hopefully.BԪַ
BԪַKeep BreathingBԪַ starts streaming on Netflix on Thursday.
BԪַ Adina Bresge, The Canadian Press