The filmmakers and studio behind BԪַJokerBԪַ have reason to put on a happy face. Despite concerns over its violent themes and ramped up theatre security, audiences flocked to the multiplex to check out the R-rated film this weekend resulting in a record October opening.
Warner Bros. said Sunday that BԪַJokerBԪַ grossed an estimated $93.5 million in ticket sales from 4,374 screens in North America. The previous October record-holder was the Spider-Man spinoff BԪַVenomBԪַ which opened to $80 million last year. Internationally, BԪַJokerBԪַ earned $140.5 million from 73 markets, resulting in a stunning $234 million global debut.
BԪַThis was a much larger result at the box office than we had ever anticipated globally,BԪַ said Jeff Goldstein, Warner Bros.BԪַ president of domestic distribution. BԪַPutting records aside, weBԪַre just thrilled that audiences are embracing the movie as strong as they are.BԪַ
Since debuting at the Venice Film Festival where it won the prestigious Golden Lion last month, BԪַJokerBԪַ has been both praised and criticized for its dark spin on the classic Batman villain played by Joaquin Phoenix. The film from director and co-writer Todd Phillips was always seen as a bit of a gamble with one of the studiosBԪַ most valuable pieces of intellectual property, hence its modest-for-a-comic-book-film $55 million budget.
But in the weeks leading up to its release, hype and uneasiness intensified beyond how audiences would react to placing this character in a realistic and unambiguously adult setting with BԪַTaxi DriverBԪַ undertones. Responding to anxiety that the film might have the potential to inspire violence, multiple theatre chains banned costumes or reaffirmed earlier policies regarding masks and authorities in numerous cities said they were stepping police patrols around theatres. Some relatives of the 2012 Aurora movie theatre shooting even asked Warner Bros . to commit to gun control causes BԪַ the studio said it always has.
While some worried this would impact the box office, it did not ultimately detract audiences from turning out opening weekend; the box office surpassed industry expectations and may rise even higher when weekend actuals are reported Monday. Although the film got a B+ CinemaScore from opening night audiences, the studio is optimistic about its long-term playability.
BԪַSixty-six per cent of the audience was under the age of 35,BԪַ Goldstein said. BԪַThat tells you that the audience will expand out with that younger group as time goes on.BԪַ The younger audience also gave the film a more favourable A- CinemaScore.
Paul Dergarabedian, the senior media analyst for box office tracker Comscore, said that the convergence of critical acclaim and controversy actually helped the film become bigger than expected at the box office.
BԪַItBԪַs the ultimate water-cooler movie right now,BԪַ Dergarabedian said.
He added that it was important that BԪַJokerBԪַ was always marketed as a BԪַvery dark, R-rated film.BԪַ
BԪַIt always had an element of mystery and danger surrounding it,BԪַ Dergarabedian said. BԪַIf it were a G-rated film, controversy like this would not be a good thing.BԪַ
In the landscape of R-rated comic book films, BԪַJokerBԪַ is nestled between BԪַDeadpoolBԪַ and its sequel, both of which opened over $125 million, and BԪַLogan,BԪַ which launched with $88.4 million.
BԪַJokerBԪַ was the only new wide release this weekend, which is down from last year when both BԪַVenomBԪַ and BԪַA Star is BornBԪַ opened. Holdovers populated the top 10: The more family friendly BԪַAbominableBԪַ landed in second place with $12 million in its second weekend and BԪַDownton AbbeyBԪַ took third in its third weekend with $8 million.
With awards buzz behind it, the Judy Garland biopic BԪַJudy,BԪַ starring Renee Zellweger, added nearly 1,000 screens this weekend and placed seventh with $4.5 million from 1,458 locations.
And in limited release, Pedro AlmodóvarBԪַs critically acclaimed BԪַPain and GloryBԪַ launched on four screens to a solid $160,087. Less fortunate was the Natalie Portman-led astronaut drama BԪַLucy in the SkyBԪַ which earned only $55,000 from 37 theatres resulting in a dismal $1,500 per screen average.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1.BԪַJoker,BԪַ $93.5 million ($140.5 million international).
2.BԪַAbominable,BԪַ $12 million ($24.6 million international).
3.BԪַDownton Abbey,BԪַ $8 million ($6.6 million international).
4.BԪַHustlers,BԪַ $6.3 million ($1.9 million international).
5.BԪַIt Chapter Two,BԪַ $5.4 million ($5.6 million international).
6.BԪַAd Astra,BԪַ $4.6 million ($7.3 million international).
7.BԪַJudy,BԪַ $4.4 million ($1.9 million international).
8.BԪַRambo: Last Blood,BԪַ $3.6 million ($4.3 million international).
9.BԪַWar,BԪַ $1.5 million ($2.9 million international).
10.BԪַGood Boys,BԪַ $900,000.
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Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to Comscore:
1. BԪַJoker,BԪַ $140.5 million.
2. BԪַMy People, My Country,BԪַ $100.7 million.
3. BԪַThe Captain,BԪַ $100.4 million.
4. BԪַThe Climbers,BԪַ $30.1 million.
5. BԪַAbominable,BԪַ $24.6 million.
6. BԪַAd Astra,BԪַ $7.3 million.
7. BԪַGemini Man,BԪַ $7 million.
8. BԪַDownton Abbey,BԪַ $6.6 million.
9. BԪַThe Most Ordinary Romance,BԪַ $6.6 million.
10. BԪַIt Chapter Two,BԪַ $5.6 million.
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Lindsey Bahr, The Associated Press
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