Jeremy Dutcher saw the risks of singing in English on his second album.
As a classically trained musician known for using his voice to draw attention to an endangered Indigenous language, some mightBԪַve seen him welcoming a non-Indigenous language onto his sophomore album BԪַMotewolonuwokBԪַ as a betrayal of his roots.
BԪַYou never want to be seen (as) stepping away from your true intent,BԪַ the 32-year-old recently explained after rehearsals in a Toronto music space.
BԪַYou want to stay on your path.BԪַ
Five years ago, his debut BԪַWolastoqiyik LintuwakonawaBԪַ elevated Dutcher to the national stage when it won the 2018 Polaris Music Prize. The album showcased the operatic tenor singing with century-old recordings of his elders made in Wolastoqey, the language of the Wolastoqiyik people.
Dutcher won a Juno award, collaborated with Buffy Sainte-Marie and Yo-Yo Ma, and was invited to sing at Joni MitchellBԪַs 75th birthday party.
Soon people were asking how he might follow on such a distinctive first album.
BԪַThe reason I started creating my own music was because I couldnBԪַt go to the radio, turn it on and hear songs in our own language,BԪַ he reasoned.
BԪַTo do it in English felt like, BԪַOh I guess youBԪַre changing your course.BԪַBԪַ
Yet Dutcher knew heBԪַd eventually have to make a decision.
More than 100 recordings of his ancestors singing in Wolastoqey exist at the archives in the Canadian Museum of History in Gatineau, Que., he said. Dutcher used 11 of them on his debut.
BԪַI couldBԪַve made over three other archive albums,BԪַ he said. BԪַBut I didnBԪַt want to do that (because) you get stuck in one story.BԪַ
Dutcher, who grew up partly in the Tobique First Nation in New Brunswick, saw the possibility of his sophomore effort being a BԪַmore direct offering to peopleBԪַ BԪַ in particular, the English-speaking audience that discovered his first album.
It also presented the opportunity to link two very different languages, often within a breath of each other.
BԪַTheyBԪַre coming from separate families, so finding a pathway between them was a challenge, but also an exciting artistic constraint,BԪַ said the musician, who now lives in Montreal.
BԪַItBԪַs a trip for me to still hear it.BԪַ
BԪַMotewolonuwok,BԪַ which was released earlier this month, finds Dutcher in what he calls a liminal space as he confronts the nuances of the modern Indigenous experience. He describes the album as BԪַsorrow, grief, joy and beauty all up against each otherBԪַ as it considers the heavy weight of recent times.
In the years since his debut album, the Indigenous community has been shaken by the discovery of unmarked graves at residential schools, faced a worsening housing crisis on reserves and seen youth suicide rates skyrocket.
Dutcher said the albumBԪַs inspiration started with the work of Cherokee poet Qwo-li Driskill and their words of bearing witness, celebration and healing.
BԪַSkicinuwihkuk,BԪַ the first track, sees Dutcher singing about land sovereignty.
His voice quivers on the song BԪַTake My HandBԪַ as he considers the meaning of lineage: BԪַAll of the ghosts that we sing back to,BԪַ he sings. BԪַTeach us our way of listening.BԪַ
BԪַSakomBԪַ was recorded with a 12-voice choir improvising the harmony as Dutcher sang in Wolastoqey.
BԪַIt was an acknowledgment that we do nothing alone,BԪַ he explained of the song, one of the clearest examples of how Dutcher sees the relationship between Canada and its Indigenous Peoples.
BԪַAs a country, weBԪַre trying to understand our collective history a little more closely,BԪַ he said.
BԪַAnd itBԪַs good because weBԪַre at least coming to hold that story together, rather than it being two completely different realities.
BԪַIBԪַm hopeful that weBԪַre in a time of shift and change BԪַ that feels evident,BԪַ he added.
Dutcher is doing whatever he can to capture this moment.
Recently, he was commissioned to contribute music to BԪַPisuwin,BԪַ billed as the first-ever ballet based on a Wolastoq tale. The Atlantic Ballet performance tours Newfoundland, Prince Edward Island and New Brunswick through the end of November.
The musician also played a series of fundraiser concerts to assist his mother Lisa Perley-Dutcher in her efforts to establish the first-ever Wolastoqey immersion preschool, located in Fredericton.
Dutcher is confident the small group of community leaders teaching the new generation of Wolastoqey speakers will reaffirm some of the languageBԪַs values of unity and respect for the land.
BԪַItBԪַs potentially revolutionary,BԪַ he said.
BԪַIBԪַm encouraged that now, language BԪַ not just Wolastoqey, but a lot of Indigenous languages BԪַ are coming forward and (getting) a lot more space to breathe.BԪַ
Dutcher said thatBԪַs how he measures his success.
BԪַThe awards, they come and go,BԪַ he said.
BԪַBut I donBԪַt take any of these platforms for granted. I donBԪַt know how long theyBԪַre going to let me do this. So (my thinking is) just get it out while you can.BԪַ
This report by The Canadian Press was first published Oct. 12, 2023.
David Friend, The Canadian Press
Note to readers: This is a corrected story. A previous version credited the words of Cherokee poet Qwo-li Driskill as appearing on the first track of the album. In fact, Dutcher says DriskillBԪַs work inspired the album.