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IllustratorsBԪַ private worlds captured for exhibit

PhotographerBԪַs images paired with artworks for showing at Cedar Hill Rec CentreBԪַs gallery café
89860vicnewsFrankLewisillustratorPOct1911
Artist Frank Lewis poses in front of an aboriginal mural he painted on the concrete surface of an underpass where the Galloping Goose trail goes underneath Gorge Road. Lewis is a member of the Island IllustratorsBԪַ Society

Among illustrators, thereBԪַs a sense of community.

It stems from the isolationist nature of their work, said illustrator Barbara Weaver-Bosson, but also from the fact their work often serves as a complement to a story. Often, illustratorsBԪַ work isnBԪַt shown in galleries, rather it appears in childrenBԪַs books or other texts.

BԪַGenerally an illustration is used (for a purpose) where youBԪַre using it to match a thematic bit with a story,BԪַ Weaver-Bosson said.

BԪַThat could be in the way of editorial or a childrenBԪַs story. It supports the text or even enhances the text or manuscript. You donBԪַt always have to be literal when youBԪַre an illustrator, but youBԪַre always an artist first.BԪַ

Twenty-five years ago, a group of local artists formed the Island IllustratorsBԪַ Society, meeting monthly at the former North Park Gallery.

BԪַWe all spoke the same language, even though some of us were designers, some were photogs,BԪַ Weaver-Bosson said.

BԪַWe were wanting to communicate with the public how our group can be useful in the community, and help with business and support and mentor each other. We all became hugely connected and good friends.BԪַ

To celebrate the groupBԪַs silver anniversary, members are showing a selection of their works, called Celebrate Success: 25 Years of the Island IllustratorsBԪַ Society, at Cedar Hill Recreation CentreBԪַs gallery café.

The illustratorsBԪַ works are paired with self-written narratives about their work and photographs by local photographer Raymond St. Arnaud, who shot each artist in his or her studio.

BԪַOne of the things I tried to do was, if the artist had a space, I tried to show what they see outdoors, or if they were daydreaming,BԪַ St. Arnaud said.

BԪַI didnBԪַt do that all the time, but IBԪַm trying to show the space or the environment that the artist is in.BԪַ

He used a wide-angle lens to capture as much of the works space as possible.

BԪַI try to let them be themselves as much as possible,BԪַ he said of the illustrators. BԪַI usually do not give them a lot of guidance. I show up and see what they do, where they work and how things are placed. Eventually, they seem to settle themselves into kind of a natural, comfortable place.BԪַ

In all, St. Arnaud photographed 68 local illustrators. Each of those photos is in a new book heBԪַs launching in conjunction with the exhibit called The Island IllustratorsBԪַ Society BԪַ 25th anniversary BԪַ 68 studio visits.

Illustrator Sandy Terry said the pictures are like BԪַa window into the creatorsBԪַ world.BԪַ

BԪַThe reason I love it is (because) where an artist creates is a very special place. ItBԪַs like your sanctuary where youBԪַre making something that hasnBԪַt existed before. To have that space and have it photographed BԪַ I love that (St. Arnaud) is taking you into that private world.BԪַ

For more on the society, visit .

ecardone@vicnews.com





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