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BԪַHow to Blow Up a PipelineBԪַ explores vigilante eco-sabotage

Director Daniel Goldhaber originally had in mind a very different movie than what was made
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When the creators of BԪַHow to Blow Up a PipelineBԪַ initially set out to adapt the , which critiques the docility of climate activism, director Daniel Goldhaber had in mind a very different movie than what they eventually made.

BԪַI was very much in a place of anger and feeling very powerless and I was like, BԪַLetBԪַs make a big old propaganda piece,BԪַBԪַ he said.

Goldhaber recalled his writing partners Ariela Barer, who also stars in the film, and Jordan Sjol talking him out of that place and convincing him that idea would ultimately BԪַmake for a very boring movie.BԪַ

They decided instead on a kind of heist thriller, which opens in theaters Friday, that follows a group of young activists who plot to take down an oil pipeline in West Texas. While the group is composed of people with starkly different backgrounds and reasons for being there, many of its members are and are united in their desperation to fight it BԪַ not unlike the young creative team themselves.

NeonBԪַs BԪַHow to Blow Up a PipelineBԪַ is decidedly less prescriptive than Andreas MalmBԪַs 2021 book, which argues that climate activists ought to look to past movements, such as the abolitionists and suffragettes, to see that substantial reforms in modern history have rarely been propagated by pacifism.

Goldhaber said he took into account critiques of the book and hopes the film is seen as a nuanced adaptation.

BԪַIf thereBԪַs a political viewpoint of the film, itBԪַs not, BԪַGo out and blow up a pipeline,BԪַBԪַ he said.

But the movie does rely heavily on arguments that Malm puts forward, an idea which came from SjolBԪַs musings about BԪַadapting a work of academic theory into a movie,BԪַ Goldhaber explained.

Malm is a scholar of human ecology, an interdisciplinary field of research that focuses on human relationships to their environments across cultures. In his work on the climate movement, Malm has been an outspoken critic of nonviolence and a proponent of property destruction, calling it the only viable response to the enduring power of the fossil fuel industry.

BԪַHow to Blow Up a PipelineBԪַ joins a growing list of films exploring the issue of climate change and how best to fight it, from dark dramas like BԪַFirst Reformed,BԪַ to allegorical satires, such as Adam McKayBԪַs

Lukas Gage, who joins Barer and other breakout actors in the ensemble cast, recalled getting sent MalmBԪַs book along with the script.

BԪַI read the book first and I thought to myself, BԪַHow the hell is this going to be a narrative film?BԪַBԪַ he said.

Already a fan of GoldhaberBԪַs feature directorial debut, BԪַCam,BԪַ Gage was ultimately persuaded by what he felt was an important story that could facilitate conversations about a way forward in combatting the climate crisis.

BԪַBecause of CongressBԪַ failure to do anything about this, it has definitely made me think about what little we can do, but maybe not so little,BԪַ he said. BԪַI think it will stick with us forever.BԪַ

GageBԪַs character, Logan, is the obvious outlier of the group, a privileged punk motivated more by love for his girlfriend, Rowan (Kristine Froseth), than by his concern for the environment.

BԪַI grew up in the punk scene in Los Angeles and also in activist spaces and those people are always there. Like, thereBԪַs always a Logan and a Rowan,BԪַ Barer laughed. BԪַWe wanted to have a degree of empathy for people coming in, being so well-meaning, while also unpacking the position their privileges would grant them.BԪַ

Despite his position of privilege, LoganBԪַs character arc is a redemptive one, a point Goldhaber felt was important to make.

BԪַSomething that was really inherent in the DNA of the project was to just try to combat some of these narratives that I think kind of create a self-perpetuating toxic culture on the left, like the narrative that we canBԪַt come together,BԪַ he said.

Goldhaber, who is the son of climate scientists, said he hopes the film adds vulnerability and complexity to their theoretical source material.

BԪַI think that thereBԪַs something very provocative in that idea,BԪַ he said.

BԪַKrysta Fauria, The Associated Press

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