Closing the generation gap comes tenderly in Amy HerzogB´ÎÔª¹ÙÍøÍøÖ·™s 4000 Miles, which slowly unfolds at the Belfry Theatre during its April 9 to May 5 run.
This gentle dramatic comedy may start with characters who are miles apart, but it calmly comes together over the perils of growing up and growing old.
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It begins with a bicycle and 21-year-old Leo. Amid a cross-country cycling trip with his best friend, tragedy strikes and he ends up at his 91-year-old grandmother VeraB´ÎÔª¹ÙÍøÍøÖ·™s New York City apartment. Over the course of a month, the two squabble and debate, discussing grief, Karl Marx, healing and old age.
Sticking to a single set, this dialogue-centered play captures the relationships between grandson andgrandmother, Leo and his girlfriend Bec, and a new love interest, Amanda.
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Followers of Herzog may remember the character of Vera Joseph as the Communist party member in HerzogB´ÎÔª¹ÙÍøÍøÖ·™s 2010 political family drama After the Revolution. Herzog revealed in past interviews that VeraB´ÎÔª¹ÙÍøÍøÖ·™s mannerisms and history are partially modelled after HerzogB´ÎÔª¹ÙÍøÍøÖ·™s own grandmother, Leepee, while the rest of the Joseph family are based off HerzogB´ÎÔª¹ÙÍøÍøÖ·™s step-family.
Since debuting off-Broadway in 2011, 4000 Miles has been performed on stages all over North America and was a finalist for the 2013 Pulitzer Prize for Drama.
On the Belfry website, Artistic Director Michael Shamata praises HerzogB´ÎÔª¹ÙÍøÍøÖ·™s exquisite writing, saying he has looking for an opportunity for years to program 4000 Miles into the Belfry schedule. For more information, check out the Belfry website at , or call the box office at (250)-385-6815.
B´ÎÔª¹ÙÍøÍøÖ·“ Felicia Santarossa, contributing writer