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BԪַFire of LoveBԪַ was an extraordinary experience for Canadian Oscar nominees

Canada-U.S. co-production depicts coupleBԪַs obsessive drive to discover the secrets of volcanoes
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Maurice (left) and Katia Krafft are shown in the documentary BԪַFire of Love.BԪַ BԪַFire of Love,BԪַ the Oscar-nominated documentary about two French volcanologists, begins with a walk. THE CANADIAN PRESS/HO-National Geographic Documentary Films

The Oscar-nominated documentary BԪַFire of LoveBԪַ begins with archival footage of two tiny figures venturing across a frozen tundra towards an active volcano.

Surrounded by mounds of icy slush, French volcanologists Maurice and Katia Krafft trudge ever closer to the rocky lip where at first no plumes of lava can be seen, but as they approach, steaming geysers come into view.

ItBԪַs one of several scenes in the Canada-U.S. co-production that depict the coupleBԪַs obsessive drive to discover the secrets of volcanoes, a shared passion nearly as fiery as their love story.

U.S.-Canadian producer Shane Boris says he and his collaborators were keen to explore the twin devotion the Kraffts had to their work, and to each other. The feature documentary is largely drawn from archival footage the Kraffts collected over a 25-year span.

BԪַThe first moment you see that footage, youBԪַre completely mesmerized and awestruck by the enormity and brilliance,BԪַ Boris says of selections of archival footage.

BԪַOnce you also learn that thereBԪַs a love story in there too BԪַ thereBԪַs this real quest for being in touch with the elemental forces of the planet BԪַ thatBԪַs what touched me so deeply about their story.BԪַ

Boris says he has a penchant for films that BԪַpush the boundaries of conventional forms in order to tell timeless stories.BԪַ

BԪַFire of LoveBԪַ is a nature documentary largely driven by visuals and the narration of actress and filmmaker Miranda July.

The film is competing at the Academy Awards on Sunday in the best documentary category. ItBԪַs up against U.S. opioid saga BԪַAll the Beauty and the Bloodshed,BԪַ Delhi-set bird conservation tale BԪַAll That Breathes,BԪַ Ukraine-set orphanage portrait BԪַA House Made of SplintersBԪַ and the U.S. film BԪַNavalny,BԪַ an investigation into the poisoning of Russian opposition leader Alexei Navalny.

Streaming now on Disney Plus, BԪַFire of LoveBԪַ is also slated to be adapted into a narrative feature in a deal with Searchlight Pictures, with both Boris and the documentaryBԪַs director Sara Dosa attached as producers.

Boris and his Canadian collaborators, who include Montreal-based co-producer Ina Fichman and editor Jocelyne Chaput,say they acquired roughly 200 hours of the footage shot by the couple.

The Kraffts were famous across France in the BԪַ70s and BԪַ80s for gathering volcanic samples and getting dangerously close to active volcanoes to understand their mysteries.

They died during one of these expeditions June 3, 1991, when JapanBԪַs Mount Unzen volcano erupted disastrously, killing 43 people including the Kraffts.

Chaput says the couple rarely appeared on camera because they dedicated their work to educating others on the wonders and dangers of volcanoes. Therefore, finding footage of the married couple together was a bit like looking for a needle in a haystack.

Chaput, Dosa and another editor sifted through hundreds of hours of geological footage, books, radio programs and interviews to portray the coupleBԪַs bond.

The film includes images of Katia and Maurice straddling the edge of craters, taking part in radio interviews, and making television appearances in France.

Chaput says the love story was influenced by a quote found in one of Maurice KrafftBԪַs books: BԪַKatia and volcanoes, itBԪַs a love story.BԪַ

BԪַIn the editing room, striking that balance between allowing yourself to be engrossed by the world of volcanology, without losing the emotional thread of Katia and MauriceBԪַs trajectory and love, was key,BԪַ she says.

BԪַIn the editing room, there was some experimentation BԪַ trial and error.BԪַ

BԪַFire of LoveBԪַ explores themes of fear and life through two scientists who made it their life mission to get close to the lethality and burning forces of creation that theyBԪַve acknowledged volcanoes to be.

BԪַSome scientists believe that you have to be detached from the data which you study in order to see it as objectively as possible, but Maurice and Katia felt that they had to be close and intimate in some ways, like in love with what they were studying,BԪַ adds Boris.

BԪַThat was present in our approach to their material and in our approach to the film. I think we went much more for the intimate than for the detached, objective look.BԪַ

Boris, who also worked on BԪַNavalny,BԪַ which was directed by TorontoBԪַs Daniel Roher,says that a large percentage of the planetBԪַs surface is actually solidified lava from a volcanic eruption. He sees a profound message in that about life.

BԪַOne of the things we learned about volcanoes was that when one thing is destroyed, another thing is created, thatBԪַs how volcanoes operate,BԪַ says Boris.

BԪַWhen Katya and Maurice died unfortunately in the volcano, they became one with them, where new stories and myths were able to be told as a result of the story of their lives.BԪַ

Fichman says Fire of LoveBԪַ was one of the most rewarding projects in her 30-year career.

BԪַEvery film you produce is a really unique experience and I have to say that this has been an extraordinary one for me on many levels,BԪַ says Fichman, whose credits include2017BԪַs Emmy nominated BԪַThe Oslo DiariesBԪַ and 2018BԪַs BԪַLaila at the Bridge.BԪַ

BԪַNot just for the Oscar nomination, but for this team and the collaboration with these very talented individuals.BԪַ

The Oscars air Sunday, March 12 at 8 p.m. ET/ 5 p.m. PT on CTV, CTV.ca and the CTV app.

BԪַNoel Ransome, The Canadian Press





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