Last month, with the long-awaited release of Denis VilleneuveBԪַs sci-fi epic BԪַDuneBԪַ finally approaching, the filmBԪַs official Twitter account issued a challenge: BԪַExplain BԪַDuneBԪַ in one sentence.BԪַ
Thousands of fans of Frank HerbertBԪַs landmark 1965 novel responded, trying to distill the sweeping saga BԪַ set in the distant future on a desert planet where powerful clans battle for control over the most precious substance in the universe BԪַ down to a few words.
Some efforts were hopelessly vague (BԪַA story about family on an epic scaleBԪַ). Others were nerdily esoteric (BԪַSubversion of the heroBԪַs journey in the far future with psychedelic drugs and ninja nuns with an unhealthy interest in the gene poolBԪַ). More than a few were jokey (BԪַSpice worms want to party but silly humans just want to make war.BԪַ)
The point was clear: BԪַDuneBԪַ may be one of the most revered books in the sci-fi canon, with millions of fans around the world BԪַ not a few of whom have images and quotes from it tattooed on their bodies BԪַ but it is not the easiest book to explicate to the uninitiated. And that fact only raises the already sky-high stakes for VilleneuveBԪַs $165-million production.
Timothee Chalamet leads the cast of BԪַDuneBԪַ as Paul Atreides, the son of a noble family who finds himself thrust into a deadly battle for dominion of the desolate planet Arrakis BԪַ and who may be the messianic leader that its oppressed people have long awaited. With a sprawling ensemble also including Rebecca Ferguson, Oscar Isaac, Josh Brolin, Javier Bardem, Jason Momoa, Stellan Skarsgard, Charlotte Rampling and Zendaya, BԪַDuneBԪַ hits theaters and HBO Max on Oct. 22, having been pushed back nearly a year by Warner Bros. due to the COVID-19 pandemic.
Filmmakers have long been drawn to BԪַDune,BԪַ dreaming of turning HerbertBԪַs action-packed yet philosophical novel into a more serious-minded, grown-up answer to BԪַStar Wars.BԪַ (Believing BԪַStar WarsBԪַ had borrowed heavily from his work, if not plagiarized it, Herbert once dismissed George LucasBԪַ film as BԪַa comic book for the screen.BԪַ)
But the very same elements of HerbertBԪַs novel that have entranced Hollywood BԪַ the vast scale, the heady themes of imperialism, religion, power and ecology, the most imaginative world-building this side of BԪַThe Lord of the RingsBԪַ BԪַ have also been the ones that have stymied efforts to adapt it for the screen.
Director David LynchBԪַs 1984 BԪַDuneBԪַ was a troubled, critically lambasted production that bombed at the box office and has been disowned by Lynch himself. An earlier effort to adapt the book by cult filmmaker Alejandro Jodorowsky fizzled after years of development and millions of dollars in pre-production costs, a doomed endeavor chronicled in the 2013 documentary BԪַJodorowskyBԪַs Dune.BԪַ
Having fallen in love with HerbertBԪַs book as a teenager in Quebec, Canada, Villeneuve was unfazed by that bumpy history, even as he fully recognized the scale of the task.
BԪַI knew the big challenge was to make sure that to enjoy the movie you donBԪַt have to have read the book,BԪַ Villeneuve says. BԪַBut at the same time, for me, it was even more important that fans of the book will find all the elements and the poetry and the atmosphere that they loved about the book.BԪַ
VilleneuveBԪַs last two films, 2016BԪַs BԪַArrivalBԪַ and 2017BԪַs BԪַBlade Runner 2049,BԪַ were each ambitious and technically daunting sci-fi movies. But as the first installment in a planned two-part epic, BԪַDuneBԪַ is a gamble of another order of magnitude.
To help crack HerbertBԪַs novel, Villeneuve partnered with screenwriters Eric Roth, whose credits include BԪַForrest Gump,BԪַ BԪַMunichBԪַ and BԪַA Star Is Born,BԪַ and Jon Spaihts, who has worked on films like BԪַPrometheusBԪַ and BԪַDoctor Strange.BԪַ
The Los Angeles Times spoke with the three collaborators about the principles that guided them as they took on what many consider to be the best sci-fi novel of all time.
Divide and conquer
Tackling BԪַDuneBԪַ in the mid-1970s, Jodorowsky felt heBԪַd need 10 to 14 hours of screen time to properly tell the story, crafting a script that Herbert later said was BԪַthe size of a phone book.BԪַ LynchBԪַs BԪַDune,BԪַ in turn, tried to pack the novel into a single film, resulting in what was widely deemed a confusing mess. (A three-part BԪַDuneBԪַ miniseries that aired on what was then called the Sci Fi Channel in 2000 ran four-and-a-half hours in total.)
From the start, Villeneuve made clear that he would only take on BԪַDuneBԪַ if he could break the book into two films. That approach made perfect sense to Legendary Entertainment, which had acquired the rights to HerbertBԪַs work and saw the film as a way to launch a larger franchise that could leverage the novelBԪַs numerous sequels and prequels.
BԪַI didnBԪַt have to fight for this idea,BԪַ Villeneuve says. BԪַI just said to them, BԪַGuys, the story is so rich, so complex, it takes all its strength from its details and its poetry. I truly think to do justice to the book, we should do it in two parts.BԪַ And they immediately said yes.BԪַ
The challenge then was to figure out how to cleave a single work into two parts in a way that felt organic and narratively satisfying. BԪַThe storytelling kind of let us know where this movie should lead us to the next one,BԪַ Roth says. BԪַOne of the wonderful things about this movie is that you really feel thereBԪַs another journey ahead that could even be richer.BԪַ
Embrace the mystery
The universe of BԪַDuneBԪַ operates by its own rules, which can at times be hard to wrap your head around.
The planet Arrakis is home to giant sandworms whose larvae produce a drug colloquially called BԪַthe spiceBԪַ that extends life, provides superhuman cognitive abilities and makes interstellar travel possible. An ancient, secretive order of women called the Bene Gesserit attempt to steer humanity toward a higher plane of development through genetic experimentation and the use of their own mental powers BԪַ and believe that Paul may be the long-awaited messianic figure they call the Kwisatz Haderach.
BԪַFrank Herbert created a uniquely rich culture in his futuristic world,BԪַ says Spaihts. BԪַItBԪַs a wild and woolly universe with deep mysticism, complex politics, different rivers of thought running through it. It would be very easy to take the source material and make a cerebral project that sort of wanders off into the philosophical bushes.BԪַ
For Villeneuve, figuring out how to orient the audience in this strange universe was no easy feat. BԪַThe storyline is actually pretty simple but itBԪַs more the density of the world and how rich and complex it is,BԪַ he says. BԪַThe big challenge was to try not to crush the audience at the start with an insane amount of exposition. It took a long time to find the right equilibrium.BԪַ
Even as he sought to ground HerbertBԪַs story and make it comprehensible to newcomers, Villeneuve didnBԪַt want to lose the more inexplicable qualities that had fired his own imagination at a young age.
BԪַI love the unknown,BԪַ he says. BԪַI love to feel vertigo, to feel that thereBԪַs a door that is not open for you, that you have to peek through. ThereBԪַs a word in French that you donBԪַt have in English, envoutant, which means being bewitched by mystery. It was very important for me that we not explain everything.BԪַ
Accentuate the feminine
The audience for science fiction tends to skew male but with BԪַDune,BԪַ Villeneuve saw the opportunity to make a film with strong, fully rounded female characters, starting with Lady Jessica (Ferguson), the mother of Paul and a member of the Bene Gesserit.
BԪַAt the very beginning of the creative process, I remember Eric Roth asking me, BԪַWhat is the most important element I should focus as IBԪַm starting to write the first draft?BԪַ I said, BԪַWomen,BԪַ BԪַ Villeneuve says. BԪַThere are so many things in the book that are so relevant and so prophetic but I felt that femininity should be up front. We needed to make sure that Lady Jessica is not an expensive extra.BԪַ
To further bring forward the bookBԪַs female characters, Villeneuve made the desert-dwelling warrior Chani, played by Zendaya, a significant presence in the film despite the fact that she doesnBԪַt appear until the second half of HerbertBԪַs novel.
BԪַAs the movie was evolving, Chani just kept growing and growing because I just was fascinated by Zendaya and her presence and how magnetic she was,BԪַ Villeneuve says. BԪַI shot more and more scenes with her. We improvised stuff. I was just so inspired by her.BԪַ
In one of the biggest departures from the novel, the film changes the gender of the character of Liet Kynes, a planetologist who has a deep understanding and love for Arrakis and its native people, the Fremen. In HerbertBԪַs book, Kynes is a man but in the film she is a woman, played by British actress Sharon Duncan-Brewster.
The switch was suggested by Spaihts as a way to make the story feel more up to date.
BԪַHerbertBԪַs novel is, to some extent, an artifact of its time and it definitely skews male in ways that donBԪַt feel completely contemporary now,BԪַ he says. BԪַOf all the messages in the story, the message brought by Liet Kynes of planetary stewardship, of the preciousness of resources, of the necessity of building bridges to local communities to sustain ourselves going forward BԪַ those are modern messages, and it seemed right to modernize the messenger.BԪַ
Streamline judiciously
Even after splitting the book into two movies, there were still some elements that Villeneuve decided to pare back to avoid overloading the film with too many characters and subplots.
Memorably, if campily, played by Sting in LynchBԪַs movie, the character of Feyd-Rautha Harkonnen BԪַ the scheming nephew of the villainous Baron Vladimir Harkonnen (Skarsgard) BԪַ does not appear in VilleneuveBԪַs BԪַDune.BԪַ
At the same time, the characters of Thufir Hawat (Stephen McKinley Henderson) and Piter De Vries (David Dastmalchian) BԪַ cognitively super-powered BԪַmentatsBԪַ who work for the Atreides and Harkonnen families, respectively BԪַ have less prominent roles in the film than they do in the novel.
BԪַI gave Denis a very full script that was probably too long and a little too fanciful in some areas,BԪַ says Roth, who tackled the initial draft before Spaihts came on board. BԪַHe did what all good directors do: he edited it and also did his own writing to bring it down to size. You couldnBԪַt have everything [in the book] BԪַ it would be an eight-hour movie. You have to tell what you consider the best parts of it, the most emotional and adventurous and curious BԪַ all the things that make it interesting.BԪַ
That said, while the second BԪַDuneBԪַ film hasnBԪַt officially been greenlit yet, Villeneuve says some things that may have been trimmed from this installment could show up in the next one.
BԪַThere are some elements that I went a bit fast on and some characters that are less developed that IBԪַm keeping for the second one,BԪַ Villeneuve says. BԪַWe tried in this one to stay as close as possible to PaulBԪַs experience. Then in the second one, I will have time to develop more some characters that were left aside a little bit. That is the theory. I hope it will work.BԪַ
When in doubt, return to the book
With so much on the line, it may have been tempting to try to turn BԪַDuneBԪַ into a simpler and more easily marketable kind of spectacle, downplaying the more woo-woo spiritual aspects of the story in favor of slam-bang space battles in the hopes of selling more BԪַDuneBԪַ toys come Christmas. But no one involved in the film wanted to stray far from HerbertBԪַs vision.
Author Brian Herbert, who has co-written a number of BԪַDuneBԪַ prequel novels with Kevin J. Anderson that expand upon the universe that his father created and who manages the Herbert literary estate along with other family members, served as an executive producer on the film and weighed in on the script while it was being developed.
BԪַTheyBԪַre very protective of their father and grandfatherBԪַs work,BԪַ Roth says of the Herbert family. BԪַBut everybody was so true to the book. Nobody was going to try to do something that flipped it on its head.BԪַ (Brian was unavailable to comment for this story but told an interviewer for the website Inverse last year that VilleneuveBԪַs film BԪַwill forever be considered the definitive film adaptationBԪַ of his fatherBԪַs novel.)
Asked if he ever reached out to either Jodorowsky or Lynch to get their hard-won insights on how BԪַ or, perhaps more importantly, how not BԪַ to wrangle BԪַDuneBԪַ onto the screen, Villeneuve said he did not.
BԪַIBԪַm a big fan of both of them BԪַ these are two masters,BԪַ Villeneuve says. BԪַI will say, I think if Jodorowsky had made his movie, it would have been an insanely fantastic movie. Would it have been the best BԪַDuneBԪַ adaptation? I donBԪַt know.
BԪַThe thing is, from the start, I didnBԪַt talk about JodorowskyBԪַs ideas or David LynchBԪַs ideas. What I said to the studio and my crew was to start from scratch and go back to that, the essence of the book. The book was the bible. I kept saying to my crew, BԪַI want the people who love the book to feel that we put a camera in their mind as as they were reading.BԪַBԪַ
BԪַ Josh Rottenberg, Los Angeles Times