Don McLean has listened for decades as people belted out his classic song BԪַAmerican PieBԪַ at last call or at karaoke BԪַ and applauds you for the effort.
BԪַIBԪַve heard whole bars burst into this song when IBԪַve been across the room,BԪַ McLean tells The Associated Press from a tour bus heading to Des Moines, Iowa. BԪַAnd theyBԪַre so happy singing it that I realized, BԪַYou donBԪַt really have to worry about how well you sing this song anymore. Even sung badly, people are really happy with it.BԪַBԪַ
Happy might be a bit of an understatement. BԪַAmerican PieBԪַ is considered a masterpiece, voted among the top five Songs of the Century compiled by the Recording Industry Association of America and the National Endowment for the Arts.
McLean BԪַ and his singular tune about BԪַthe day the music diedBԪַ BԪַ are now the subject of a full-length feature documentary, airing Tuesday on Paramount+.
ItBԪַs mandatory viewing for McLean fans or anyone who has marveled at his sonic treasure. It also represents an elegant film blueprint for future deep dives into a song and its wider cultural relevance.
For those fans who have wondered about the lyrics they are singing loudly in bars and cars, McLean shares the secrets. BԪַThat was the fun of writing the song,BԪַ he tells the AP. BԪַI was up at night, smiling and thinking about what IBԪַm going to do with this.BԪַ
The documentary starts when a single-engine plane carrying Buddy Holly, Ritchie Valens and Jiles P. Richardson, the BԪַBig Bopper,BԪַ plunged into a cornfield north of Clear Lake, Iowa, on Feb. 3, 1959, killing the three stars and their pilot.
McLean was 13, living in a suburban, middle class home in New Rochelle, New York, when the crash occurred. He had bronchial asthma, prompting the description of him in BԪַAmerican PieBԪַ as BԪַa lonely teenage broncinBԪַ buck.BԪַ The BԪַsacred storeBԪַ he sings about was the House of Music on Main Street, where he bought records and his first guitar.
Young McLean was a paperboy BԪַ BԪַevery paper IBԪַd deliverBԪַ BԪַ and adored Elvis, Gene Vincent, Bo Diddley but especially Holly, whose death deeply affected him. BԪַI was in absolute shock. I may have actually cried,BԪַ he says in the film. BԪַYou canBԪַt intellectualize it. It hurt me.BԪַ
Years later, McLean would plumb that pain in BԪַAmerican Pie,BԪַ baking in his own grief at his fatherBԪַs passing and writing an eulogy for the American dream. He was creating his second album in 1971 while the nation was racked by assassinations, anti-war protests and civil right marches. He thought he BԪַneeded a big song about America.BԪַ The first verse and melody seemed to just tumble out. BԪַA long, long, time agoBԪַBԪַ
It climaxed in the huge sing-along-chorus: BԪַWe were singinBԪַ, BԪַBye-bye, Miss American pieBԪַ/Drove my Chevy to the levee, but the levee was dry/Them good old boys were drinkinBԪַ whiskey BԪַn rye/And singinBԪַ, BԪַThisBԪַll be the day that I die.BԪַ
BԪַI said, BԪַWow, that is something. I donBԪַt know what it is, but itBԪַs exactly what IBԪַve been wanting to try to get ahold of BԪַ that feeling about Buddy Holly BԪַ for all these years and that plane crash,BԪַ McLean tells the AP. BԪַI always feel a tug inside me whenever I think about Buddy.BԪַ
incorporates news footage of the BԪַ70s and uses actors in recreations. Cameras capture McLean visiting the hallowed Surf Ballroom in Clear Lake, the last place Holly and his fellow musicians played before their fatal flight in 1959.
There are interviews with musicians BԪַ Garth Brooks, BԪַWeird AlBԪַ Yankovich and Brian Wilson, among them BԪַ as well as ValensBԪַ sister, Connie, and actor Peter Gallagher, whose characterBԪַs death on BԪַZoeyBԪַs Extraordinary PlaylistBԪַ promoted an onscreen performance of BԪַAmerican Pie.BԪַ The British singer Jade Bird, Cuban-born producer Rudy Perez and Spanish singer Jencarlos Canela speak to how the song has resonated far past America.
The documentary reveals that recording the album was not exactly a smooth process. Producer Ed Freeman was unimpressed with McLeanBԪַs clutch of songs and didnBԪַt think McLean was up to playing rhythm guitar on BԪַAmerican Pie.BԪַ He eventually relented.
McLean BԪַ along with a few session musicians BԪַ rehearsed for two weeks without nailing the song, getting increasingly frustrated. The addition of pianist Paul Griffin at the last minute was a BԪַHail MaryBԪַ stroke of genius that made the whole tune click.
But recording the song was just the beginning of trouble ahead. At over 8 minutes, radio stations balked at playing it, and McLeanBԪַs record label, Media Arts, went bust just as it was to release the album BԪַAmerican Pie.BԪַ
After seeing the documentary, McLean was struck by a common strand in his career: BԪַWhat I noticed was that I had to fight so many battles to get this thing done, to get everything. IBԪַve been fighting everybody my whole life,BԪַ he says. BԪַIBԪַm not difficult. I just want things the way I want them.BԪַ
BԪַAmerican PieBԪַ is packed with cultural references, from Chevrolet to nursey rhymes, while namechecking The Byrds, John Lennon, Charles Manson and James Dean. The lyrics BԪַ dreamlike and impressionistic BԪַ have been pored over for decades, dissected for meaning.
The documentary answers some questions, but not all. McLean reveals that his oblique references to a king and a jester have nothing to do with Elvis or Bob Dylan, but heBԪַs open to other interpretations. He explains that the BԪַmarching bandBԪַ means the military-industrial complex and BԪַsweet perfumeBԪַ is tear gas.
The line in the chorus BԪַThisBԪַll be the day that I dieBԪַ comes from the John Wayne film BԪַThe SearchersBԪַ and the farewell is a riff off BԪַBye Bye, My Roseanna,BԪַ a song his friend Pete Seeger sang. McLean was going to use BԪַMiss American apple pieBԪַ but dropped the fruit.
The end of the song asks for BԪַhappy newsBԪַ BԪַ an echo of the first verse BԪַ but there is none. The three men McLean admires most BԪַ the Father, Son and Holy Ghost BԪַ BԪַcaught the last train for the coast,BԪַ meaning Los Angeles. BԪַEven god has been corrupted,BԪַ McLean says in the film.
BԪַHe was glad to open up because he and his manager thought it was the time to do it and this was the platform to do it in,BԪַ says music producer and songwriter Spencer Proffer, CEO of media production company Meteor 17, which helped make the film. BԪַMy hatBԪַs off to Don for writing something this magnificent. My job was to bring it to life.BԪַ
For McLean, the song is a blueprint of his mind at the time and a homage to his musical influences, but also a roadmap for future students of history:
BԪַIf it starts young people thinking about Buddy Holly, about rock BԪַnBԪַ roll and that music, and then it teaches them maybe about what else happened in the country, maybe look at a little history, maybe ask why John Kennedy was shot and who did it, maybe ask why all our leaders were shot in the 1960s and who did it, maybe start to look at war and the stupidity of it BԪַ if that can happen, then the song really is serving a wonderful purpose and a positive purpose.BԪַ
BԪַMark Kennedy, The Associated Press