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BԪַBlue BeetleBԪַ unseats BԪַBarbieBԪַ atop box office, ending 4-week reign

BԪַOppenheimerBԪַ now owns the distinction of being the biggest box-office hit never to land No. 1
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This image released by Warner Bros. Pictures shows Ryan Gosling, left, and Margot Robbie in a scene from BԪַBarbie.BԪַ (Warner Bros. Pictures via AP)

The DC superhero film led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning BԪַBarbieBԪַ from the top spot after a record-setting run that left movie theaters colored pink for a month.

The BԪַBarbieBԪַ phenomenon is far from over. , which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. ItBԪַs up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of also continues to perform remarkably well for a movie so far into its run.

took in $10.6 million in its fifth week. With a $285.2 million domestic total, BԪַOppenheimerBԪַ now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016BԪַs BԪַSing,BԪַ which grossed $270.3 million in the shadow of BԪַRogue One: A Star Wars StoryBԪַ and BԪַHidden Figures.BԪַ

Universal PicturesBԪַ BԪַOppenheimerBԪַ has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

BԪַBlue Beetle,BԪַ starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put BԪַBlue Beetle,BԪַ the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for BԪַBlue BeetleBԪַ than the average superhero film. ItBԪַs one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews BԪַ certainly better than the three previous DC releases this year (BԪַThe Flash,BԪַ BԪַBlack AdamBԪַ and BԪַShazam! Fury of the GodsBԪַ). BԪַBlue BeetleBԪַ (76% fresh on Rotten Tomatoes) is

But it also faced some tough luck, and not just in the unexpected staying power of BԪַBarbieBԪַ and BԪַOppenheimer.BԪַ Southern California was bracing Sunday for BԪַ potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, BԪַBlue Beetle,BԪַ which added $18 million internationally, didnBԪַt have its cast available to promote the movie due to

UniversalBԪַs raunchy R-rated canine comedy BԪַStraysBԪַ showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but BԪַStraysBԪַ had it particularly rough given that its starry cast was unavailable.

BԪַStraysBԪַ was very narrowly bested by BԪַTeenage Mutant Ninja Turtles: Mutant Mayhem.BԪַ The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. BԪַBlue Beetle,BԪַ $25.4 million.

2. BԪַBarbie,BԪַ $21.5 million.

3. BԪַOppenheimer,BԪַ $10.6 million.

4. BԪַTeenage Mutant Ninja Turtles: Mutant Mayhem,BԪַ $8.4 million.

5. BԪַStrays,BԪַ $8.3 million.

6. BԪַMeg 2: The Trench,BԪַ $6.7 million.

7. BԪַTalk to Me,BԪַ $3.2 million.

8. BԪַHaunted Mansion,BԪַ $3 million.

9. BԪַMission: Impossible BԪַ Dead Reckoning Part One,BԪַ $2.7 million.

10. BԪַThe Last Voyage of the Demeter,BԪַ $2.5 million.

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