BԪַ

Skip to content

BԪַBlack Adam,BԪַ with Dwayne Johnson, debuts with $67M

Box office take The RockBԪַs biggest opening weekend ever
30791864_web1_20221023131032-63557adb821cf083b81a5859jpeg
This image released by Warner Bros. Pictures shows Dwayne Johnson in a scene from BԪַBlack Adam.BԪַ (Warner Bros. Pictures via AP)

Warner Bros.BԪַ opened with an estimated $67 million, according to studio estimates Sunday, handing Dwayne Johnson his biggest box-office weekend as a leading man and launching the D.C. Comics character he spent a decade to bring to the big screen.

BԪַBlack AdamBԪַ was a $200-million bid to upset the power balance in a DC Extended Universe dominated by the likes of Batman, Wonder Woman and Superman. The $67 million debut fell well shy of that stratosphere, even with the considerable draw of Johnson Still, BԪַBlack AdamBԪַ managed the highest opening weekend since BԪַThor: Love and ThunderBԪַ

BԪַBlack Adam,BԪַ which stars Johnson as an ancient Egyptian summoned to the modern day, was notably hobbled by poor reviews (40% fresh on Rotten Tomatoes). Moviegoers were kinder, giving the film a B+ CinemaScore. It collected $73 million internationally for a $140 million global haul.

BԪַBlack AdamBԪַ took a circuitous route to reach theaters. The character had originally been planned to launch as a villain in before executives pivoted to give Black Adam a standalone feature. The goofier BԪַShazam!,BԪַ which cost closer to $100 million to make, opened with $53.5 million in ticket sales and wound up an over-achieving success with $366 million worldwide.

The stakes were higher for BԪַBlack Adam,BԪַ though. While promoting the film, Johnson hasnBԪַt been shy about his desire to follow up BԪַBlack AdamBԪַ with a showdown with Superman. But whether the receipts for BԪַBlack AdamBԪַ are enough to warrant that remains unclear. Under new leadership, Warner Bros. is overhauling its approach to DC Comics adaptations.

Jeff Goldstein, distribution chief for Warner Bros., celebrated the results as a personal best for Johnson outside of the BԪַFast & FuriousBԪַ films, and a PG-13 film with broad-based appeal that audiences responded to better than critics. Still, itBԪַs a time of transition for Warner Bros.BԪַ reorganizing DC unit as the studio seeks more Marvel-sized successes. Next on tap is BԪַShazam! Fury of the GodsBԪַ in March.

BԪַItBԪַs all about making good movies. ItBԪַs all about finding the right scripts,BԪַ said Goldstein. BԪַOur studio is definitely going through a major revamping of our production leadership and style and approach. I think that weBԪַll be able to crack this nut. WeBԪַre definitely focused in on doing that.BԪַ

the Bali-set romantic comedy starring Julia Roberts and George Clooney, proved smart counterprogramming. The Universal Pictures release debuted with $16.3 million, well above recent sales for rom-coms, which have struggled in recent years at the box office. The film is already a hit abroad, where itBԪַs been in release for the last month, accruing $80.2 million in ticket sales.

Earlier this month, UniversalBԪַs R-rated BԪַBros,BԪַ debuted with a disappointing $4.8 million. BԪַTicket to ParadiseBԪַ had a notable advantage in its two stars, and appealed particularly to older audiences; 64% of ticket buyers were 35 and up, the studio said.

BԪַIt became an event film for all audiences this weekend but especially for older audiences that can be difficult to get into theaters,BԪַ said Jim Orr, head of distribution for Universal. BԪַWe all know this is a demographic group that doesnBԪַt exactly run out to see films opening weekend. That gives us great encouragement for the weeks and months ahead.BԪַ

Paul Dergarabedian, senior media analyst for data firm Comscore, noted it was the first weekend with a $65 million opener and more than $100 million in overall domestic ticket sales since July. That was owed largely to star power, he said, in the appeal of both BԪַTicket to ParadiseBԪַ and BԪַBlack AdamBԪַ with Johnson.

BԪַHe was the engine that really drove this box office despite some headwinds in terms of the DC brand and this not being as known a character,BԪַ said Dergarabedian. BԪַThis is a very strong starting point for Dwayne Johnson in the mix of DC Comics. HeBԪַs like a box-office supercharger. Forty-percent Rotten Tomatoes, but people just want to see Dwayne Johnson on the big screen because he is bigger than life.BԪַ

Last weekBԪַs top film, BԪַHalloween Ends,BԪַ dropped massively in its second weekend. The Universal horror sequel, which was simultaneously released on Peacock, declined 80% with $8 million. Meanwhile, Paramount PicturesBԪַ BԪַSmile,BԪַ continued to defy the typical declines for horror releases. With $8.4 million in its fourth week of release, BԪַSmileBԪַ came in third and boosted its overall domestic sales to $84.3 million.

As more acclaimed awards contenders land in theaters, Searchlight PicturesBԪַ BԪַThe Banshees of InisherinBԪַ started its run with one of the best per-theater averages of the year. The opened with $181,000 in four theaters for a per-theater average of $45,250. For A24, starring Paul Mescal and Frankie Corio as a father and daughter on vacation, also debuted solidly in four theaters, with a $16,589 per-theater average.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. BԪַBlack Adam,BԪַ $67 million.

2. BԪַTicket to Paradise,BԪַ $16.3 million.

3. BԪַSmile,BԪַ $8.4 million

4. BԪַHalloween Ends,BԪַ $8 million.

5. BԪַLyle, Lyle Crocodile,BԪַ $4.2 million.

6. BԪַThe Woman King,BԪַ $1.9 million.

7. BԪַTerrifier 2,BԪַ $1.9 million.

8. BԪַDonBԪַt Worry Darling,BԪַ $880,000.

9. BԪַAmsterdam,BԪַ $811,000.

10. BԪַTriangle of Sadness,BԪַ $600,000.

BԪַJake Coyle, The Associated Press





(or

BԪַ

) document.head.appendChild(flippScript); window.flippxp = window.flippxp || {run: []}; window.flippxp.run.push(function() { window.flippxp.registerSlot("#flipp-ux-slot-ssdaw212", "Black Press Media Standard", 1281409, [312035]); }); }