After ABCBԪַs BԪַBig SkyBԪַ drew Native American censure for overlooking an epidemic of violence against Indigenous women and girls, its producers set about making changes. But the first, hurried steps were called BԪַbumpyBԪַ and insulting by Native leaders.
The reaction illustrates how even well-meaning creators may struggle with growing demands for diversity and authenticity BԪַ especially with an ethnic group that Hollywood has at best ignored and at worst stereotyped beyond recognition.
Shelly R. Fyant, chairwoman of the Confederated Salish and Kootenai Tribes of Montana, said she was blindsided by a request to use a tribal seal on BԪַBig SkyBԪַ when she was unaware the Flathead Nation tribe might be written into a scene.
The email inquiry to FyantBԪַs office, from a Native American guest actor also tasked as a cultural adviser for the series, was sent Dec. 9 BԪַ three days before the proposed scene was to tape in Canada, where the Montana-set series is in production.
It was BԪַinsultingBԪַ to discover the show planned to depict the tribe absent consultation and a slap at efforts to combat crime against Indigenous people, she said. BԪַOur tribe and our identity and our government is not going to be subcontracted out.BԪַ
The quick turnaround for episodic TV makes revisions possible but not advisable, especially when sensitive issues are at stake, said producer Tom Nunan (the Oscar-winning BԪַCrashBԪַ), a former network and studio head.
Research and hard work can make BԪַmaterial ring incredibly true,BԪַ even for writers initially unfamiliar with people and environments, Nunan said, adding that it could been the case for BԪַBig SkyBԪַ if its first priorities were Native Americans and the human trafficking toll.
BԪַBut itBԪַs almost impossible to make something feel truly authentic if one tries somehow to BԪַreverse engineerBԪַ it after the fact,BԪַ said Nunan, a lecturer at the University of California, Los Angeles, graduate school for theatre, film and TV.
BԪַBig SkyBԪַ was a plum for Disney-owned ABC, marking writer-producer David E. KelleyBԪַs return to network TV after a string of cable successes (BԪַBig Little Lies,BԪַ BԪַThe UndoingBԪַ). The series is based on a 2013 novel, writer C.J. BoxBԪַs BԪַThe Highway,BԪַ which doesnBԪַt address Native issues.
Producers, including ABCBԪַs Disney sibling 20th Television and KelleyBԪַs company, did not comment for this article.
The Tuesday night series, a standard private-eye drama, debuted in November with a plot about two sisters abducted by possible sex-traffickers. The sisters are white, and early episodes omitted any mention of the high rate of missing and murdered Indigenous women and girls, including in Montana.
After a succession of tribal leaders and Native advocates in the U.S. and Canada criticized the omission, producers said their BԪַeyes have been openedBԪַ and they were working with Indigenous groups to bring attention to the ongoing tragedy. They sought guidance from National Congress of American Indians, the largest and oldest representative body for AmericaBԪַs nearly 600 tribal nations.
BԪַIn its failure to represent the life-or-death crisis of missing and murdered Indigenous women, Disney has erased tragedies that impact tribal Nations across North America,BԪַ Congress President Fawn Sharp said in a statement to The Associated Press.
The organization is fulfilling its job of supporting tribal nationsBԪַ sovereign governments by BԪַeducating Disney on the appropriate way to respectfully address this issue with impacted Nations and learn from their leadersBԪַ and experts on Indigenous subjects, Sharp said.
BԪַThis conversation and process is ongoing, and has been bumpy so far. We are counting on Disney to commit to this long-term dialogue with tribal Nations so that their incomparable media platform can be a force for understanding, equality, and accurate representation of Indigenous peoples and tribal nations globally,BԪַ she said.
Sharp did not detail her specific concerns.
The first BԪַBig SkyBԪַ change was to add an on-screen message noting resources for victims of sexual or labour exploitation. Then came story revisions for the freshman drama, extended from its original eight-episode order to 16.
In a scene that was under consideration, for example, private detectives searching for the missing sisters meet with a tribal councilwoman who raises the crisis. Native actor Stefany Mathias was hired for the role and asked to act as a consultant, which she said included reviewing set decorations.
Among them: the Confederated Salish and Kootenai Tribes seal that producers were considering depicting. MathiasBԪַ copy of the script referred to the tribes, so she concluded they had already vetted the story before she emailed Chairwoman Fyant to find out if it would be appropriate to use the seal.
Surprised and stung by the curt reply she received, Mathias said, she apologized to Fyant and regrets not being better informed before reaching out. She doesnBԪַt have second thoughts about being part of BԪַBig Sky.BԪַ
BԪַI have been working in this industry for a long time and have turned down parts and not auditioned because I didnBԪַt agree with the portrayal or I was just simply not willing to play another stereotype,BԪַ Mathias said. She was heartened by the prospect of a major network paying heed to the crucial issue of violence against Native women, she said, calling producers sincere in their efforts.
BԪַI just feel in working with them and in talking with them that they had very good intentions and they wanted to do it in the best way possible and in a respectful way,BԪַ she said. BԪַMy feeling is that, unfortunately, they simply didnBԪַt have the knowledge of working with Indigenous people.BԪַ
Lynn Elber, The Associated Press
Like us on and follow us on .
Want to support local journalism? Make a donation