A week later, the boom has not abated.
Seven days after Greta GerwigBԪַs BԪַBarbieBԪַ and Christopher NolanBԪַs BԪַOppenheimerBԪַ , the two films held unusually strongly in theaters. BԪַBarbieBԪַ took in a massive $93 million in its second weekend, according to studio estimates Sunday. BԪַOppenheimerBԪַ stayed in second with a robust $46.2 million. Sales for the two movies dipped 43% and 44%, respectably BԪַ well shy of the usual week-two drops.
BԪַBԳBԪַ has proven to be not a one-weekend phenomenon but an ongoing box-office bonanza. The two movies combined have already surpassed $1 billion in worldwide ticket sales. Paul Dergarabedian, senior media analyst for data firm Comscore, call it BԪַa touchstone moment for movies, moviegoers and movie theaters.BԪַ
BԪַHaving two movies from rival studios linked in this way and both boosting each otherBԪַs fortunes BԪַ both box-office wise and it terms of their profile BԪַ I donBԪַt know if thereBԪַs a comp for this in the annals of box-office history,BԪַ said Dergarabedian. BԪַThereBԪַs really no comparison for this.BԪַ
Following its year-best $162 million opening, the pink-infused pop sensation of BԪַBarbieBԪַ saw remarkably sustained business through the week and into the weekend. The film outpaced NolanBԪַs BԪַThe Dark KnightBԪַ to have the best first 11 days in theaters of any Warner Bros. release ever.
BԪַBarbieBԪַ has rapidly accumulated $351.4 million in U.S. and Canadian theaters, a rate that will soon make it the biggest box-office hit of the summer. Every day itBԪַs played, BԪַBarbieBԪַ has made at least $20 million.
And the BԪַBarbieBԪַ effect isnBԪַt just in North America. The film made $122.2 million internationally over the weekend. Its global tally has reached $775 million. ItBԪַs the kind of business that astounds even veteran studio executives.
BԪַThatBԪַs a crazy number,BԪַ said Jeff Goldstein, distribution chief for Warner Bros. BԪַThereBԪַs just a built-in audience that wants to be part of the zeitgeist of the moment. Wherever you go, people are wearing pink. Pink is taking over the world.BԪַ
Amid the frenzy, BԪַBarbieBԪַ is already attracting a lot of repeat moviegoers. Goldstein estimates that 12% of sales are people going back with friends or family to see it again.
For a movie industry that has been trying to regain its pre-pandemic footing BԪַ and that now finds itself largely shuttered due to actors and screenwriters strikes BԪַ the sensations of BԪַBarbieBԪַ and BԪַOppenheimerBԪַ when everything lines up just right.
BԪַPost-pandemic, thereBԪַs no ceiling and thereBԪַs no floor,BԪַ Goldstein said. BԪַThe movies that miss really miss big time, and the movies that work really work big time.BԪַ
Universal PicturesBԪַ meanwhile, is performing more like a superhero movie than a three-hour film about scientists talking.
NolanBԪַs drama starring Cillian Murphy as atomic bomb physicist J. Robert Oppenheimer has accrued $174.1 million domestically thus far. With an additional $72.4 million in international cinemas, BԪַOppenheimerBԪַ has already surpassed $400 million globally.
Showings in IMAX have typically been sold out. BԪַOppenheimerBԪַ has made $80 million worldwide on IMAX. The large-format exhibitor said Sunday that it will extend the filmBԪַs run through Aug. 13.
The weekBԪַs top new release, Walt Disney Co.BԪַs an adaptation of the Disney theme park attraction, was easily overshadowed by the BԪַBԳBԪַ blitz. The film, which cost about $150 million, debuted with $24 million domestically and $9 million in overseas sales. BԪַHaunted Mansion,BԪַ directed by Justin Simien (BԪַDear White People,BԪַ BԪַBad HairBԪַ) and starring an ensemble of LaKeith Stanfield, Tiffany Haddish, Owen Wilson, Danny DeVito and Rosario Dawson, struggled to overcome mediocre reviews.
BԪַTalk to Me,BԪַ the A24 supernatural horror film, fared better. It debuted with $10 million. The film, directed by Australian filmmakers Danny and Michael Philippou and starring Sophie Wilde, was a midnight premiere at the Sundance Film Festival in January and received (95% fresh on Rotten Tomatoes). It was made for a modest $4.5 million.
While theaters being flush with moviegoers has been a huge boon to the film industry, itBԪַs been tougher sledding for Tom Cruise, the so-called savior of the movies last summer with BԪַTop Gun: Maverick.BԪַ BԪַMission Impossible: Dead Reckoning Part I,BԪַ which debuted the week before the arrival of BԪַBarbenheimer,BԪַ grossed $10.7 million in its third weekend. The film , has grossed $139.2 million domestically and $309.3 million oveseas.
Instead, the sleeper hit BԪַSound of FreedomBԪַ has been the best performing non-BԪַBԳBԪַ release in theaters. The Angel StudiosBԪַ release, which is counting crowdfunding pay-it-forward sales in its box office totals, made $12.4 million in its fourth weekend, bringing its haul thus far to nearly $150 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. BԪַBarbie,BԪַ $93 million.
2. BԪַOpppenheimer,BԪַ $46.2 million.
3. BԪַHaunted Mansion,BԪַ $24.2 million.
4. BԪַSound of Freedom,BԪַ $12.4 million.
5. BԪַMission: Impossible BԪַ Dead Reckoning Part One,BԪַ $10.7 million.
6. BԪַTalk to Me,BԪַ $10 million.
7. BԪַIndiana Jones and the Dial of Destiny,BԪַ $4 million.
8. BԪַElemental,BԪַ $3.4 million.
9. BԪַInsidious: The Red Door,BԪַ $3.2 million.
10. BԪַRocky Aur Rani Ki Prem Kahani,BԪַ $1.6 million.
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