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BԪַAftersun,BԪַ BԪַBansheesBԪַ lead the Associated Press list of best films of 2022

Film writers offer their top choices for the year that was
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This image released by Universal Pictures and Amblin Entertainment shows Gabriel LaBelle in a scene from BԪַThe Fabelmans.BԪַ (Merie Weismiller Wallace/Universal Pictures and Amblin Entertainment via AP)

The Associated PressBԪַ Film Writers Jake Coyle and Lindsey BahrBԪַs picks for the best movies of 2022:

JAKE COYLE:

1. : Rarely does such a delicately crafted tale . Charlotte WellsBԪַ breathtaking feature debut, starring newcomer Frankie Corio and Paul Mescal as an 11-year-old girl and her father on vacation in Turkey, is such a keenly observed accumulation of detail and feeling that you hardly notice the undertow of heartache that will, in the end, absolutely floor you.

2. : Though it was a hit in Japan, it was easy to miss Mamoru HosodaBԪַs glorious anime back in January, when it arrived in North American theaters. ItBԪַs a dazzling blend of BԪַBeauty and the Beast,BԪַ a girlBԪַs wrenching battle with grief and self-doubt, and possibly the best movie ever made about the Internet. ItBԪַs a lot, maybe too much, but BԪַBBԪַ reaches the most beautiful of climaxes.

3. : Martin McDonaghBԪַs latest is a that throbs with existential conundrum. It plays out between a quizzical Colin Farrell, a doom-laden Brendan Gleeson, an exasperated Kerry Condon and a much-cherished donkey. What else could you possibly need?

4. : The Korean master Park Chan-wook , and the twisty noirish results are at turns delightful and devastating.

5. : Margaret BrownBԪַs expansive, ruminative documentary reverberates with history and stories passed down through time. The central incident is the discovery in Mobile, Alabama, of the Clotilda, the to arrive on U.S. shores. But BrownBԪַs roaming, wide-lens film is most powerful for the way it captures the community of Clotilda descendants BԪַ a contemplative and compelling cast of characters BԪַ as they weigh slaveryBԪַs present-day legacy.

6. BԪַNo BearsBԪַ: Jafar Panahi may be the most vital and courageous filmmaker in the world right now. The Iranian writer-director has been banned from making movies or traveling since he was arrested in 2010 for supporting protesters. Yet Panahi has, ingeniously, continued to find ways to make thoughtful, playful, defiant films that reflect his predicament while slyly capturing the Iranian society around him. BԪַNo Bears,BԪַ which dramatizes Panahi making a film along the Turkish border, is one of his best. ItBԪַs grown only more piercing since Panahi was jailed on a six-year prison sentence earlier this year. In one bleakly stirring moment, Panahi stands on a darkened borderland, contemplating fleeing.

7. and : In a movie world where spectacles often come with little within, both of these films were absolutely brimming with ideas and images. You could call the Daniel Kwan and Daniel ScheinertBԪַs film and overstuffed. But their sheer cinematic abundance made them nourishing, vibrant exceptions. Much the same could be said of James CameronBԪַs equally visionary BԪַAvatar: The Way of Water.BԪַ

8. BԪַ BԪַ: Chadian filmmaker Mahamat-Saleh HarounBԪַs film is one of the yearBԪַs most tender mother-daughter portraits. Rihane Khali Alio and Achouackh Abakar Souleymane star in this extraordinarily vivid tale, set in the outskirts of present-day NBԪַDjamena, of abortion, motherhood and female solidarity.

9. : Steven SpielbergBԪַs natural mode as a filmmaker might not be introspective. HeBԪַs not historically been one to phone home. And while that awkwardness can sometimes be felt in his , there are many scenes here unlike anything heBԪַs ever shot before, and among his very best.

10. BԪַKBԪַ: A great benefit of the so-called BԪַpandemic moviesBԪַ is that they were made fast, loose and of-their-moment. This year, many filmmakers, maybe as a result of all that time shut-in, released inward-looking films. Often better were the ones that more directly dealt with the pandemic reality around us. Steven SoderberghBԪַs starring Zoë Kravitz as an agoraphobic tech contractor deftly channeled the times into a riveting little pop gem.

Also: BԪַCompartment No. 6,BԪַ BԪַTillBԪַ, BԪַOne Fine Morning,BԪַ BԪַThe Cathedral,BԪַ BԪַThe Woman King,BԪַ BԪַSaint Omer,BԪַ BԪַApollo 10 1/2BԪַ, BԪַGlass Onion: A Knives Out Mystery,BԪַ BԪַEmily the Criminal,BԪַ BԪַBones and AllBԪַ

LINDSEY BAHR:

1. : Martin McDonaghBԪַs film is a sharp, funny and utterly devastating work about the end of a friendship on a small Irish island. Colin Farrell uses his wonderful brows (and acting chops) to ensure ultimate heartbreak as his world and sense of self crumbles and rots. But itBԪַs the ensemble, including Brendan Gleeson, Kerry Condon, Barry Keoghan and on down, who imbue this deceptively simple set-up with gravity and depth.

2. : Todd FieldBԪַs brilliant, restless BԪַTáBԪַ reminded me how much I love movies (and tricked me into believing that I was some kind of scholar of classical music for a few hours). in bringing this flawed genius to life, challenging the audience to consider big questions about power, status and art. It is demanding but immensely rewarding cinema that is not easily defined, which is perhaps why audiences arenBԪַt taking a chance on it in theaters (which is a mistake).

3. BԪַ BԪַ: Sarah PolleyBԪַs film hasnBԪַt even been released to the general public and itBԪַs already considered BԪַdivisive,BԪַ which is one of the best reasons to seek it out. ArenBԪַt you curious which side youBԪַll be on? IBԪַm one who was spellbound by her heady, spiritual vision of a group of abused women in an isolated religious colony questioning their reality and wondering if life could somehow be different than what they know.

4. : In a year full of autobiographical films from very famous names, it was the one from the unknown that made the biggest impression. You donBԪַt have to know anything about Charlotte Wells to get wrapped up in BԪַAftersun,BԪַ an inspired and fully realized memory piece about an ordinary vacation some 20 years prior that will leave you in pieces (which is somehow possible even when the BԪַMacarenaBԪַ is also stuck in your head).

5. BԪַ BԪַ: A young woman is on trial for the death of her 15-month-old daughter in this haunting French courtroom drama, a tremendous debut feature from documentarian , that upends your notions of what the genre can be in its examination of trauma, the immigrant experience and expectations of motherhood.

6. : This is the kind of romantic confection thatBԪַs a bit of an outlier on a list like this, but thatBԪַs why itBԪַs here. Anthony FabianBԪַs film about an English housecleaner and war widow (Lesley Manville) in the 1950s who saves up to Christian Dior gown is a balm BԪַ heartwarming without being schlocky, reverential of high fashion artistry but critical of its exclusionary ways and just a supreme delight.

7. : Sorry BԪַTop Gun: Maverick,BԪַ you were very entertaining too, but Steven SoderberghBԪַs BԪַKBԪַ was my favorite popcorn experience of the year BԪַ a taut, paranoid thriller with a modern, Alexa/Siri-inspired spin on the overheard crime scenario of BԪַBlow Up,BԪַ with a sharp performance from Zoe Kravitz, who can even make an agoraphobic shut in extremely cool.

8. BԪַ BԪַ: There is rot beneath the punishingly beautiful, sun-soaked Adriatic setting of Croatian filmmaker Antoneta Alamat KusijanovicBԪַs sublimely menacing debut feature about a 17-year-old girl who is starting to question the ingrained misogyny around her. The family dynamics are as rocky and dangerous as the picturesque backdrop.

9. BԪַCorsageBԪַ: Beauty, waistlines, aging, celebrity, duty and desire haunt Empress Elisabeth of Austria in Marie KreutzerBԪַs intricate and interpretive portrait of dynamic mind and soul thatBԪַs been stifled by her position and myriad traumas. Vicky Krieps is perfect as the deliriously subversive BԪַSissi.BԪַ

10. : The supermarket dance to LCD SoundsystemBԪַs BԪַNew Body RhumbaBԪַ might not come until the very end of but there is a dazzling rhythm to the entire epic, from the controlled chaos of the overlapping dialogue to the hectic choreography of a family making breakfast. But maybe the most surprising thing is that behind all the wit, the style, the commentary on American society and the banal and the profound in the everyday, there is a real emotional weight too.

Also: BԪַ BԪַ BԪַ ,BԪַ BԪַAvatar: The Way of Water,BԪַ BԪַ ,BԪַ BԪַ ,BԪַ BԪַEO,BԪַ BԪַ ,BԪַ BԪַ ,BԪַ BԪַ BԪַ

BԪַJake Coyle And Lindsey Bahr, The Associated Press





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