The latest iteration of the Godzilla franchise took over the top spot from BԪַAladdinBԪַ and roared louder than Elton John at the weekend box office, but it still left a notably smaller footprint on North American theatres than its city-wrecking predecessors.
BԪַGodzilla: King of the Monsters,BԪַ Warner Bros. and Legendary EntertainmentBԪַs sequel to 2014BԪַs BԪַGodzilla,BԪַ was brought down to size by poor reviews and middling interest from moviegoers, selling $49 million in tickets, according to studio estimates Sunday.
While still good enough for No. 1, that total was $10-15 million off industry expectations and close to half of the $93 million debut of the previous BԪַGodzillaBԪַ movie.
Still, the weekend, led by one of the most classic movie monsters, brought HollywoodBԪַs summer season into full swing. Last weekBԪַs top film, DisneyBԪַs live-action, blue-Will Smith BԪַAladdinBԪַ remake, slid to second with $42 million in its second weekend. And a rush of newcomers, including the Elton John biopic BԪַRocketmanBԪַ and the Octavia Spencer-led horror film BԪַMa,BԪַ swelled theatres with a variety of options.
Dexter FletcherBԪַs fantastical Elton John biopic BԪַRocketman,BԪַ starring Taron Egerton, didnBԪַt launch with the same bravado as last yearBԪַs Freddie Mercury biopic BԪַBohemian Rhapsody.BԪַ But it opened solidly in third with $25 million. The weekendBԪַs most profitable release, by percentage, was likely the Blumhouse Production thriller BԪַMa,BԪַ which made $18.2 million against a $5 million budget.
Critics are raving about , calling it an BԪַepic musical fantasyBԪַ thatBԪַs BԪַunlike anything youBԪַve ever seen.BԪַ Get tickets now to experience it on the big screen:
BԪַ Rocketman (@rocketmanmovie)
Even with a toothless BԪַGodzilla,BԪַ the weekend was up drastically BԪַ 62 per cent, according to Comscore BԪַ from the same weekend last year, when the swiftly forgotten BԪַSoloBԪַ was in its second weekend.
Part of the appeal of giant monster films from a studio standpoint is their popularity in Asia. This BԪַGodzillaBԪַ fared best in China, opening there with $70 million. It made $130 million internationally overall.
But in Godzilla, some see a flagging franchise of unrealized potential. In its three recent blockbuster iterations going back to Gareth EdwardsBԪַ 1998 Sony release, none have drawn much praise from fans or critics. This latest one, directed by Michael Dougherty, has a 40 per cent fresh rating on Rotten Tomatoes.
Warner Bros. is developing a face-off movie between Godzilla and King Kong, who was last featured in BԪַKong: Skull Island.BԪַ That 2017 release opened with $61 million and went on to make $566 million worldwide. Jeff Goldstein, distribution chief for Warner Bros., believes the $200-million budgeted BԪַKing of the MonstersBԪַ can keep drawing moviegoers to the studioBԪַs ongoing monster franchises.
BԪַThe avid fans of Godzilla came out Thursday and Friday,BԪַ said Goldstein. BԪַThe real key for us is how broadly can we expand over the next couple weeks? Can we hold on to an interest thatBԪַs wider than the regular Godzilla fans? I think we can.BԪַ
In GodzillaBԪַs shadow, counterprogramming thrived. Coming off its acclaimed premiere at the Cannes Film Festival , BԪַRocketman,BԪַ which Elton John executive produced, opened well if not spectacularly for Paramount Pictures. The R-rated biopic cost about $40 million to make.
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Aiming to capitalize on the British singerBԪַs worldwide appeal, the stars of BԪַRocketmanBԪַ have circled the globe ahead of release. It added $19.2 million internationally. In Russia, the filmBԪַs local distributor cut out scenes depicting homosexual activity and drug use. John and the filmmakers criticized the move as BԪַa sad reflection of the divided world we still live in.BԪַ
Though BԪַRocketmanBԪַ shares much with BԪַBohemian RhapsodyBԪַ BԪַ including Fletcher, who helmed the Mercury film after Bryan Singer departed production BԪַ its makers have sought to distance it from last yearBԪַs Oscar-winning $900-million sensation.
BԪַThat movie is a unicorn,BԪַ Egerton said in Cannes. BԪַOur movie is a different animal.BԪַ
BԪַMa,BԪַ fashioned by Blumhouse as the production companyBԪַs contemporary answer to BԪַMisery,BԪַ reteams Spencer with BԪַThe HelpBԪַ director Tate Taylor. SpencerBԪַs first solo lead performance drew an especially diverse audience, 57 per cent of which was female.
BԪַThe best news this weekend was for the industry itself,BԪַ said Paul Dergarabedian, senior media analyst for Comscore. BԪַEven if the top movie didnBԪַt earn $100 million, we had a big up weekend and we need more of those to get out of this deficit that weBԪַve been in since basically the beginning of the year.BԪַ
The news, though, wasnBԪַt good for BԪַBooksmart,BԪַ the acclaimed teen comedy starring Beanie Feldstein and Kaitlyn Dever. Amid its disappointing wide-release opening last weekend, director Olivia Wilde appealed on social media for fans to support a movie BԪַmade by and about women.BԪַ On its second weekend, BԪַBooksmartBԪַ couldnBԪַt turn it around, earning $3.3 million on 2,518 screens.
Overseas, CannesBԪַ Palme dBԪַOr winner BԪַParasite,BԪַ a social satire from Korean director Bong Joon-ho, opened with $24.6 million. That was driven largely by stellar sales in South Korea where BongBԪַs raucous thriller easily outpaced BԪַGodzilla.BԪַ
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.
1. BԪַGodzilla: King of the Monsters,BԪַ $49 million ($130 million international).
2. BԪַAladdin,BԪַ $42.3 million ($78.3 million international).
3. BԪַRocketman,BԪַ $25 million ($19.2 million international).
4. BԪַMa,BԪַ $18.3 million ($2.8 million international).
5. BԪַJohn Wick: Chapter 3 BԪַ Parabellum,BԪַ $11.1 million ($12.7 million international).
6. BԪַAvengers: Endgame,BԪַ $7.8 million ($8.6 million international).
7. BԪַPokemon Detective Pikachu,BԪַ $6.7 million ($14.6 million international).
8. BԪַBooksmart,BԪַ $3.3 million.
9. BԪַBrightburn,BԪַ $2.3 million.
10. BԪַThe Hustle,BԪַ $1.3 million.
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Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to Comscore:
1. BԪַGodzilla: King of the Monsters,BԪַ $130 million.
2. BԪַAladdin,BԪַ $78.3 million.
3. BԪַParasite,BԪַ $24.6 million.
4. BԪַRocketman,BԪַ $19.2 million.
5. BԪַDoraemon: NobitaBԪַs Chronicle Of The Moon Exploration,BԪַ $18.4 million.
6. BԪַThe Secret Life of Pets 2,BԪַ $17.2 million.
7. BԪַPokemon Detective Pikachu,BԪַ $14.6 million.
8. BԪַJohn Wick: Chapter 3 BԪַ ParabellumBԪַ $12.7 million.
9. BԪַAvengers: Endgame,BԪַ $8.6 million.
10. BԪַHappy Little Submarine: Space Pals,BԪַ $3.4 million.
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Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP
Jake Coyle, The Associated Press
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